Shadow Dancer Screenplay - Raindance Film Festival

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91. COLLETTE Just into town. MA. (steely) Then going ‘just into town’ can wait. COLLETTE (getting desperate) No it can’t Ma. Please...I have to go. She opens the door. Ma blocks her exit. MA. What are you going to do in town, Collette? COLLETTE Ma please, I have to go. MA. No one has to go into town. No one ever has. COLLETTE Please don’t do this, Ma. Not now. She pulls the door open and has to more or less force her way out. SMASH CUT TO: EXT. COLLETTE’S STREET - CONTINUOUS. She looks back. Her mother is standing in the doorway, watching. INT. ALLEN’S CAR - CENTRAL BELFAST - DAY. COLLETTE gets in. RYAN You’re late. ALLEN accelerates away. COLLETTE puts her head in her hands. COLLETTE I have to go. RYAN We need to talk.
92. COLLETTE (agitated) I’ve made it here. You can see me. I’ve nothing for you. I need to get home. RYAN Calm down. COLLETTE I don’t have anything! I gave you Henderson and now they’re watching me. Mulgrew knows. RYAN He wants to make you think he knows. COLLETTE Then he’s doing it a good job! Please...stop the car. They pull up at a set of lights and COLLETTE climbs out. RYAN begins to follow her. ALLEN tries to prevent him. But he’s gone. ALLEN Don’t be a fool. Jesus... ALLEN (CONT’D) EXT. BELFAST STREET - CONTINUOUS. RYAN catches up with her. They are on a patch of abandoned industrial wasteland. RYAN This is unprofessional. COLLETTE You’re the professional. I’m just a dead girl walking. He grabs her, pulls her towards an alley, where they are out of sight. COLLETTE (CONT’D) I don’t know anything! RYAN We had a report in from East Tyrone this morning that you and Gerry were seen at Fox’s house.
Page 1 and 2:
Shadow Dancer by Tom Bradby Based o
Page 3 and 4:
2. As we follow her down the hill,
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4. COLLETTE moves to the toilet, lo
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6. No answer. The cop flips open a
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8. INT. OBSERVATION ROOM OUTSIDE TH
Page 11 and 12:
10. LONG Don’t play games, Gingy.
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12. She looks furious. RYAN (CONT
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14. No answer. RYAN (CONT’D) You
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16. RYAN We haven’t lost an agent
Page 19 and 20:
18. He glances at a photograph of a
Page 21 and 22:
20. She nods. She stares out of the
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22. BUCHANAN You’re not going to
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24. MULGREW. Who signed you up, Gin
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26. INT. A TRAIN APPROACHING BELFAS
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28. INT. COLLETTE’S HOME - KITCHE
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30. PADDY Aaagh! You little bugger.
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32. COLLETTE kisses her daughter an
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34. A soldier suddenly blocks her w
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36. She breaks away, staggers. She
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38. HEADTEACHER (CONT’D) I know t
Page 41 and 42: 40. MULGREW. We need to talk about
Page 43 and 44: 42. INT. BOOK-SHOP - CAMDEN - CONTI
Page 45 and 46: 44. MARK What is it, Mam? COLLETTE
Page 47 and 48: 46. VOICE (O.S.) I’m Richard McIl
Page 49 and 50: 48. RYAN Of course. COLLETTE I don
Page 51 and 52: 50. INT. POLICE HEADQUARTERS IN BEL
Page 53 and 54: 52. A beat. ALLEN shrugs. RYAN (CON
Page 55 and 56: 54. Yes. COLLETTE The driver pulls
Page 57 and 58: 56. INT. HENDERSON’S HOUSE ON THE
Page 59 and 60: 58. EXT. STREET - CONTINUOUS. It al
Page 61 and 62: 60. INT. COLLETTE’S HOME - KITCHE
Page 63 and 64: 62. She glances up. She has no idea
Page 65 and 66: 64. INT. CAR - A FEW MINUTES LATER.
Page 67 and 68: 66. MULGREW. (CONT'D) Or did one of
Page 69 and 70: 68. INT. BELFAST’S ROYAL VICTORIA
Page 71 and 72: 70. INT. IRA CHIEF OF STAFF’S DAI
Page 73 and 74: 72. EXT. MILLTOWN CEMETERY - DAY A
Page 75 and 76: 74. We’re CLOSE again on Gerry. H
Page 77 and 78: 76. He stares at her. And he turns
Page 79 and 80: 78. GIRL Wolf Tone called. The pass
Page 81 and 82: 80. RYAN doesn’t answer. No point
Page 83 and 84: 82. ALLEN (CONT'D) Maybe that’s w
Page 85 and 86: 84. INT. COLLETTE’S HOME - LIVING
Page 87 and 88: 86. EXT. A SNOWY HILLTOP FIELD IN S
Page 89 and 90: 88. No answer. He stops the car. GE
Page 91: 90. A long silence. GERRY You want
Page 95 and 96: 94. COLLETTE I don’t know... RYAN
Page 97 and 98: 96. ALLEN What in the hell are you
Page 99 and 100: 98. DELAVINE (CONT’D) We have a r
Page 101 and 102: 100. PADDY What do you want? MULGRE
Page 103 and 104: 102. We follow her out... INT. LAND
Page 105 and 106: 104. INT. FLIGHT TO PARIS - DAY GER
Page 107 and 108: 106. He takes out the pistol and pl
Page 109 and 110: 108. GERRY (CONT’D) Everything we
Page 111 and 112: 110. PADDY’S head sags. Collette.
Page 113 and 114: 112. A telephone is on the desk bet
Page 115 and 116: 114. COLLETTE (CONT’D) Who did yo
Page 117 and 118: 116. INT. HOUSE OF COMMONS - DAY GE
Page 119 and 120: 118. EXT. STREET OUTSIDE THE HOUSE
Page 121 and 122: 120. EXT. HOUSE OF COMMONS - UNDERN
Page 123: 122. ON COLLETTE as she clings to h
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Shadow Dancer Screenplay - Raindance Film Festival

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