Shadow Dancer Screenplay - Raindance Film Festival

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27. EXT. COLLETTE’S STREET - DAY COLLETTE rounds the corner and slows to a walk. She passes a group of kids playing football in the street and struggles with her key in the lock. She hesitates for a beat and then walks into... INT. COLLETTE’S HOME - CONTINUOUS. The house is quiet. COLLETTE’S MOTHER is hunched over the stove. As she turns, the suffering of the years of war is etched indelibly into her face. MA conducts herself with unbearable dignity. They embrace. COLLETTE’S P.O.V. through to... EXT. BACK YARD - CONTINUOUS. She stands in the doorway. Her five-year-old son MARK is pushing his sister on a swing. His manner is aggressive and testing; he’s a boy with issues. The little girl CATHERINE catches sight of COLLETTE. Mammy! CATHERINE She comes running. COLLETTE wraps her up tight as MARK watches from behind the swing. COLLETTE pulls out a present from her rucksack and CATHERINE unwraps it. It’s a doll. They snuggle tighter. COLLETTE gently places her daughter on the step and approaches MARK. COLLETTE Hello, my love. She hands him another parcel. He unwraps it suspiciously. It’s a London double decker bus, which he examines for a moment before hurling the toy at her head and fleeing through a garden gate. COLLETTE catches him down the ALLEY. Go away! MARK She wrestles with him. After a few moments, he begins to sob and clings to her. He holds on like he’s never going to let go.
28. INT. COLLETTE’S HOME - KITCHEN - EVENING An ordinary family scene. The kids are finishing their tea, whilst COLLETTE and her MOTHER wash up. The door opens and in walk COLLETTE’S two brothers, GERRY and PADDY. GERRY is taller and older. He is brooding and handsome, with cropped hair; naturally a leader. But PADDY got all the emotional intelligence. He is shorter and bulkier with long, unkempt hair and a moustache. PADDY We heard a rumour our girl was back... He hugs his sister and then kisses his mother. He is obviously the favorite son. GERRY takes a hunk of bread off the side and wipes some of the left-over gravy from MARK’s plate. GERRY (with his mouth full) You all right, Collette? She nods. GERRY switches on the TV. The British and Irish Prime Ministers are giving a press conference GERRY (CONT’D) You heard about this? Yeah. COLLETTE He looks at her. GERRY We’re busting their balls and they want us to settle for a piece of fucking paper. MA. Mind your language in front of the children please, Gerard. MA. (CONT’D) And who’s to say it isn’t something. Irritated, Gerry turns up the volume. The British Prime Minister, John Major, is answering a question. MAJOR. Of course the document entertains the possibility of a united Ireland. But it also very clearly recognises the right of the people of Northern Ireland to determine their own future. (MORE)
Page 1 and 2: Shadow Dancer by Tom Bradby Based o
Page 3 and 4: 2. As we follow her down the hill,
Page 5 and 6: 4. COLLETTE moves to the toilet, lo
Page 7 and 8: 6. No answer. The cop flips open a
Page 9 and 10: 8. INT. OBSERVATION ROOM OUTSIDE TH
Page 11 and 12: 10. LONG Don’t play games, Gingy.
Page 13 and 14: 12. She looks furious. RYAN (CONT
Page 15 and 16: 14. No answer. RYAN (CONT’D) You
Page 17 and 18: 16. RYAN We haven’t lost an agent
Page 19 and 20: 18. He glances at a photograph of a
Page 21 and 22: 20. She nods. She stares out of the
Page 23 and 24: 22. BUCHANAN You’re not going to
Page 25 and 26: 24. MULGREW. Who signed you up, Gin
Page 27: 26. INT. A TRAIN APPROACHING BELFAS
Page 31 and 32: 30. PADDY Aaagh! You little bugger.
Page 33 and 34: 32. COLLETTE kisses her daughter an
Page 35 and 36: 34. A soldier suddenly blocks her w
Page 37 and 38: 36. She breaks away, staggers. She
Page 39 and 40: 38. HEADTEACHER (CONT’D) I know t
Page 41 and 42: 40. MULGREW. We need to talk about
Page 43 and 44: 42. INT. BOOK-SHOP - CAMDEN - CONTI
Page 45 and 46: 44. MARK What is it, Mam? COLLETTE
Page 47 and 48: 46. VOICE (O.S.) I’m Richard McIl
Page 49 and 50: 48. RYAN Of course. COLLETTE I don
Page 51 and 52: 50. INT. POLICE HEADQUARTERS IN BEL
Page 53 and 54: 52. A beat. ALLEN shrugs. RYAN (CON
Page 55 and 56: 54. Yes. COLLETTE The driver pulls
Page 57 and 58: 56. INT. HENDERSON’S HOUSE ON THE
Page 59 and 60: 58. EXT. STREET - CONTINUOUS. It al
Page 61 and 62: 60. INT. COLLETTE’S HOME - KITCHE
Page 63 and 64: 62. She glances up. She has no idea
Page 65 and 66: 64. INT. CAR - A FEW MINUTES LATER.
Page 67 and 68: 66. MULGREW. (CONT'D) Or did one of
Page 69 and 70: 68. INT. BELFAST’S ROYAL VICTORIA
Page 71 and 72: 70. INT. IRA CHIEF OF STAFF’S DAI
Page 73 and 74: 72. EXT. MILLTOWN CEMETERY - DAY A
Page 75 and 76: 74. We’re CLOSE again on Gerry. H
Page 77 and 78: 76. He stares at her. And he turns
Page 79 and 80:
78. GIRL Wolf Tone called. The pass
Page 81 and 82:
80. RYAN doesn’t answer. No point
Page 83 and 84:
82. ALLEN (CONT'D) Maybe that’s w
Page 85 and 86:
84. INT. COLLETTE’S HOME - LIVING
Page 87 and 88:
86. EXT. A SNOWY HILLTOP FIELD IN S
Page 89 and 90:
88. No answer. He stops the car. GE
Page 91 and 92:
90. A long silence. GERRY You want
Page 93 and 94:
92. COLLETTE (agitated) I’ve made
Page 95 and 96:
94. COLLETTE I don’t know... RYAN
Page 97 and 98:
96. ALLEN What in the hell are you
Page 99 and 100:
98. DELAVINE (CONT’D) We have a r
Page 101 and 102:
100. PADDY What do you want? MULGRE
Page 103 and 104:
102. We follow her out... INT. LAND
Page 105 and 106:
104. INT. FLIGHT TO PARIS - DAY GER
Page 107 and 108:
106. He takes out the pistol and pl
Page 109 and 110:
108. GERRY (CONT’D) Everything we
Page 111 and 112:
110. PADDY’S head sags. Collette.
Page 113 and 114:
112. A telephone is on the desk bet
Page 115 and 116:
114. COLLETTE (CONT’D) Who did yo
Page 117 and 118:
116. INT. HOUSE OF COMMONS - DAY GE
Page 119 and 120:
118. EXT. STREET OUTSIDE THE HOUSE
Page 121 and 122:
120. EXT. HOUSE OF COMMONS - UNDERN
Page 123:
122. ON COLLETTE as she clings to h
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Shadow Dancer Screenplay - Raindance Film Festival

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