Shadow Dancer Screenplay - Raindance Film Festival

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23. MULGREW doesn’t receive an answer, so he yanks GINGY from his chair and drags him to a filthy blood red bath. He smashes his skull against it as GINGY screams in pain. MULGREW plunges his head into the water and holds him down. The rest of the crew watch. They don’t share MULGREW’s sadism. He yanks GINGY’s head up. We notice he is trying to avoid getting the dirty water on a new pair of BRIGHT RED TRAINERS. MULGREW. (CONT’D) When did you start your touting? GINGY (terrified) I’m a patriot. I’m just a Volunteer-- MULGREW. When, Gingy? GINGY I swear it... MULGREW. Seven dead at Loughgall, Gingy. Then Gerard Harte, Dessie Grew and all the boys down at Coalisland. The cream of East Tyrone, shot by SAS bastards lying out in the night. And all because a filthy, nasty, dirty little tout was singing like a canary to save his own miserable skin...And that tout, Gingy, was you... GINGY’s P.O.V. as his head goes under. CRASH CUT TO: EXT. A FERRY ON THE IRISH SEA - DAY COLLETTE gazes out across the water. She is on her way home... CUT TO: INT. IRA SAFE HOUSE - SOUTH ARMAGH - DAY GINGY is back in the chair. MULGREW has put on a pair of leather gloves.
24. MULGREW. Who signed you up, Gingy? No one. GINGY MULGREW strikes him hard. GINGY (CONT’D) It’s true, so help me God! MULGREW. Gingy, your wife says you’re out every Wednesday night. So where is it that you go? GINGY (crying now) I don’t know. I-- MULGREW. So, she’s lying is she? It’s your wife who’s the tout? No...no. GINGY MULGREW. I’m going to ask you once more; who signed you up? GINGY No one signed me. No one. MULGREW adjusts his gloves. MULGREW. We have time, Gingy. All the time in the world... EXT. DUBLIN STREET - DAY. COLLETTE walks along a cobbled street. Attractive shops are full of Christmas decorations. She seems lost in thought as we hear; RYAN (V.O.) Say as little as possible in the debrief in Dublin. They’ll run the same questions when you get up to Belfast and cross-check your answers, so don’t allow them to draw you out. We watch through the window as COLLETTE greets a young man inside.
Page 1 and 2: Shadow Dancer by Tom Bradby Based o
Page 3 and 4: 2. As we follow her down the hill,
Page 5 and 6: 4. COLLETTE moves to the toilet, lo
Page 7 and 8: 6. No answer. The cop flips open a
Page 9 and 10: 8. INT. OBSERVATION ROOM OUTSIDE TH
Page 11 and 12: 10. LONG Don’t play games, Gingy.
Page 13 and 14: 12. She looks furious. RYAN (CONT
Page 15 and 16: 14. No answer. RYAN (CONT’D) You
Page 17 and 18: 16. RYAN We haven’t lost an agent
Page 19 and 20: 18. He glances at a photograph of a
Page 21 and 22: 20. She nods. She stares out of the
Page 23: 22. BUCHANAN You’re not going to
Page 27 and 28: 26. INT. A TRAIN APPROACHING BELFAS
Page 29 and 30: 28. INT. COLLETTE’S HOME - KITCHE
Page 31 and 32: 30. PADDY Aaagh! You little bugger.
Page 33 and 34: 32. COLLETTE kisses her daughter an
Page 35 and 36: 34. A soldier suddenly blocks her w
Page 37 and 38: 36. She breaks away, staggers. She
Page 39 and 40: 38. HEADTEACHER (CONT’D) I know t
Page 41 and 42: 40. MULGREW. We need to talk about
Page 43 and 44: 42. INT. BOOK-SHOP - CAMDEN - CONTI
Page 45 and 46: 44. MARK What is it, Mam? COLLETTE
Page 47 and 48: 46. VOICE (O.S.) I’m Richard McIl
Page 49 and 50: 48. RYAN Of course. COLLETTE I don
Page 51 and 52: 50. INT. POLICE HEADQUARTERS IN BEL
Page 53 and 54: 52. A beat. ALLEN shrugs. RYAN (CON
Page 55 and 56: 54. Yes. COLLETTE The driver pulls
Page 57 and 58: 56. INT. HENDERSON’S HOUSE ON THE
Page 59 and 60: 58. EXT. STREET - CONTINUOUS. It al
Page 61 and 62: 60. INT. COLLETTE’S HOME - KITCHE
Page 63 and 64: 62. She glances up. She has no idea
Page 65 and 66: 64. INT. CAR - A FEW MINUTES LATER.
Page 67 and 68: 66. MULGREW. (CONT'D) Or did one of
Page 69 and 70: 68. INT. BELFAST’S ROYAL VICTORIA
Page 71 and 72: 70. INT. IRA CHIEF OF STAFF’S DAI
Page 73 and 74: 72. EXT. MILLTOWN CEMETERY - DAY A
Page 75 and 76:
74. We’re CLOSE again on Gerry. H
Page 77 and 78:
76. He stares at her. And he turns
Page 79 and 80:
78. GIRL Wolf Tone called. The pass
Page 81 and 82:
80. RYAN doesn’t answer. No point
Page 83 and 84:
82. ALLEN (CONT'D) Maybe that’s w
Page 85 and 86:
84. INT. COLLETTE’S HOME - LIVING
Page 87 and 88:
86. EXT. A SNOWY HILLTOP FIELD IN S
Page 89 and 90:
88. No answer. He stops the car. GE
Page 91 and 92:
90. A long silence. GERRY You want
Page 93 and 94:
92. COLLETTE (agitated) I’ve made
Page 95 and 96:
94. COLLETTE I don’t know... RYAN
Page 97 and 98:
96. ALLEN What in the hell are you
Page 99 and 100:
98. DELAVINE (CONT’D) We have a r
Page 101 and 102:
100. PADDY What do you want? MULGRE
Page 103 and 104:
102. We follow her out... INT. LAND
Page 105 and 106:
104. INT. FLIGHT TO PARIS - DAY GER
Page 107 and 108:
106. He takes out the pistol and pl
Page 109 and 110:
108. GERRY (CONT’D) Everything we
Page 111 and 112:
110. PADDY’S head sags. Collette.
Page 113 and 114:
112. A telephone is on the desk bet
Page 115 and 116:
114. COLLETTE (CONT’D) Who did yo
Page 117 and 118:
116. INT. HOUSE OF COMMONS - DAY GE
Page 119 and 120:
118. EXT. STREET OUTSIDE THE HOUSE
Page 121 and 122:
120. EXT. HOUSE OF COMMONS - UNDERN
Page 123:
122. ON COLLETTE as she clings to h
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Shadow Dancer Screenplay - Raindance Film Festival

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