Shadow Dancer Screenplay - Raindance Film Festival

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111. No one. PADDY Another beat. Still turning it over in his mind. MULGREW. Where were the kids? Collette’s wee nippers? PADDY shrugs in despair. MULGREW. (CONT’D) Were they in the house? Were they in the yard? PADDY In the yard. MULGREW. Who was looking after them? Ma. PADDY MULGREW. Where was Collette? Out. PADDY MULGREW. So your mother was in the yard? PADDY Of course. MULGREW steps back, turns to his colleagues. MULGREW. Get him up. CRASH CUT TO: A TRAIN HURTLING THROUGH THE ENGLISH COUNTRYSIDE - DAY CUT TO: CLOSE ON GERRY AND COLLETTE, WHO SIT SIDE BY SIDE CUT TO: INT. MI5 HEADQUARTERS - OPERATIONS ROOM - DAY RYAN stares out of the window. BRIAN ALLEN stands beside him.
112. A telephone is on the desk between them. It does not ring... EXT. A FIELD IN SOUTH ARMAGH - DAY MULGREW and his gang march PADDY to a ditch. He is still naked but for the bag over his head. They force him to kneel. MULGREW. Last chance, my friend. PADDY shakes his head. MULGREW. (CONT’D) Admit youse’re a tout and I’ll spare your worthless life. Boss... YOUTH. MULGREW. Shut up! One more chance, McVeigh, then I’m out of patience. PADDY Fuck you, Mulgrew. I’ll see you in hell. They wait. MULGREW puts a pistol to Paddy’s head. PADDY (CONT’D) Pull the trigger, you coward. MULGREW pushes the pistol down. CLOSE again on the faces of his crew. They’re shitting themselves. TIGHT on MULGREW. He kicks PADDY into the ditch. MULGREW. Get him out of here. He’s not who we’re looking for. INT. WATERLOO STATION - DAY GERRY takes COLLETTE to a station cafe and parks her at a table. He moves to the phone box in the corner. But he’s still watching her...
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Shadow Dancer by Tom Bradby Based o
Page 3 and 4:
2. As we follow her down the hill,
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4. COLLETTE moves to the toilet, lo
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6. No answer. The cop flips open a
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8. INT. OBSERVATION ROOM OUTSIDE TH
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10. LONG Don’t play games, Gingy.
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12. She looks furious. RYAN (CONT
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14. No answer. RYAN (CONT’D) You
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16. RYAN We haven’t lost an agent
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18. He glances at a photograph of a
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20. She nods. She stares out of the
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22. BUCHANAN You’re not going to
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24. MULGREW. Who signed you up, Gin
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26. INT. A TRAIN APPROACHING BELFAS
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28. INT. COLLETTE’S HOME - KITCHE
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30. PADDY Aaagh! You little bugger.
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32. COLLETTE kisses her daughter an
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34. A soldier suddenly blocks her w
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36. She breaks away, staggers. She
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38. HEADTEACHER (CONT’D) I know t
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40. MULGREW. We need to talk about
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42. INT. BOOK-SHOP - CAMDEN - CONTI
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44. MARK What is it, Mam? COLLETTE
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46. VOICE (O.S.) I’m Richard McIl
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48. RYAN Of course. COLLETTE I don
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50. INT. POLICE HEADQUARTERS IN BEL
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52. A beat. ALLEN shrugs. RYAN (CON
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54. Yes. COLLETTE The driver pulls
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56. INT. HENDERSON’S HOUSE ON THE
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58. EXT. STREET - CONTINUOUS. It al
Page 61 and 62: 60. INT. COLLETTE’S HOME - KITCHE
Page 63 and 64: 62. She glances up. She has no idea
Page 65 and 66: 64. INT. CAR - A FEW MINUTES LATER.
Page 67 and 68: 66. MULGREW. (CONT'D) Or did one of
Page 69 and 70: 68. INT. BELFAST’S ROYAL VICTORIA
Page 71 and 72: 70. INT. IRA CHIEF OF STAFF’S DAI
Page 73 and 74: 72. EXT. MILLTOWN CEMETERY - DAY A
Page 75 and 76: 74. We’re CLOSE again on Gerry. H
Page 77 and 78: 76. He stares at her. And he turns
Page 79 and 80: 78. GIRL Wolf Tone called. The pass
Page 81 and 82: 80. RYAN doesn’t answer. No point
Page 83 and 84: 82. ALLEN (CONT'D) Maybe that’s w
Page 85 and 86: 84. INT. COLLETTE’S HOME - LIVING
Page 87 and 88: 86. EXT. A SNOWY HILLTOP FIELD IN S
Page 89 and 90: 88. No answer. He stops the car. GE
Page 91 and 92: 90. A long silence. GERRY You want
Page 93 and 94: 92. COLLETTE (agitated) I’ve made
Page 95 and 96: 94. COLLETTE I don’t know... RYAN
Page 97 and 98: 96. ALLEN What in the hell are you
Page 99 and 100: 98. DELAVINE (CONT’D) We have a r
Page 101 and 102: 100. PADDY What do you want? MULGRE
Page 103 and 104: 102. We follow her out... INT. LAND
Page 105 and 106: 104. INT. FLIGHT TO PARIS - DAY GER
Page 107 and 108: 106. He takes out the pistol and pl
Page 109 and 110: 108. GERRY (CONT’D) Everything we
Page 111: 110. PADDY’S head sags. Collette.
Page 115 and 116: 114. COLLETTE (CONT’D) Who did yo
Page 117 and 118: 116. INT. HOUSE OF COMMONS - DAY GE
Page 119 and 120: 118. EXT. STREET OUTSIDE THE HOUSE
Page 121 and 122: 120. EXT. HOUSE OF COMMONS - UNDERN
Page 123: 122. ON COLLETTE as she clings to h
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Shadow Dancer Screenplay - Raindance Film Festival

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