Shadow Dancer Screenplay - Raindance Film Festival

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69. LONG (CONT’D) Well done gentlemen. It’s been a good day. Keep it up. Seems like he wants them on their way. They shake hands. INT. POLICE HEADQUARTER - OUTSIDE LONG’S OFFICE - CONTINUOUS. As RYAN and ALLEN emerge they run into two men waiting outside. ALLEN nods at them. ALLEN Barry...Dennis. They nod back. ALLEN takes a few paces, but he’s reluctant to go. We follow his gaze and see the pair being congratulated by TREVOR LONG. ALLEN now leads the way out to a CORRIDOR. He stops by a drinks dispenser, searches for some change and punches the button for coffee. The machine spits it out. RYAN I’ve met the tall guy before. Barry... Delavine. ALLEN RYAN East Tyrone... ALLEN He’s back in Belfast now: works the same side of the street as us. RYAN frowns. Something is clicking into place... INT.COLLETTE’S HOME - HER BEDROOM - NIGHT Alone in the half-darkness, she opens her underwear drawer and takes out the emergency bleeper. For a moment we think she’s going to press it, but she HURLS IT AGAINST THE WALL. It doesn’t break. She sinks to the floor and covers her face. Mother, sister, fighter, bomber, traitor, tout...
70. INT. IRA CHIEF OF STAFF’S DAIRY BARN - SOUTH ARMAGH - NIGHT The IRA’s CHIEF is milking a cow as KEVIN MULGREW enters. The older man looks every inch the farmer he’s been all his life. Without missing a beat, he says... CHIEF OF STAFF Help me move her. MULGREW looks down at his new red trainers, but he’s got no choice. They move the cow and Mulgrew’s trainers end up covered in dung. The CHIEF OF STAFF looks pleased about this as he washes his hands in a giant metal basin. MULGREW scowls. CHIEF OF STAFF (CONT’D) Who is it? MULGREW. One of the McVeighs. Hard to know which, but we’re working on it. CHIEF OF STAFF What is it you want? MULGREW. Maybe we should lift them all. CHIEF OF STAFF Jesus! You’d start a war. Every eejit lining up against us would say we’d stitched up Gerry to please the Brits. MULGREW. (insolent) Last time I looked, our volunteers hadn’t learned to love a tout. CHIEF OF STAFF Then you’d better make sure that’s what you’ve got! INT. RYAN’S APARTMENT - NIGHT RYAN lies on his bed in the darkness, deep in thought. Suddenly, he gets up, grabs his coat and heads for the door... EXT. RYAN’S APARTMENT - CONTINUOUS. He checks under his car for a bomb -- a routine procedure for all security officers...
Page 1 and 2:
Shadow Dancer by Tom Bradby Based o
Page 3 and 4:
2. As we follow her down the hill,
Page 5 and 6:
4. COLLETTE moves to the toilet, lo
Page 7 and 8:
6. No answer. The cop flips open a
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8. INT. OBSERVATION ROOM OUTSIDE TH
Page 11 and 12:
10. LONG Don’t play games, Gingy.
Page 13 and 14:
12. She looks furious. RYAN (CONT
Page 15 and 16:
14. No answer. RYAN (CONT’D) You
Page 17 and 18:
16. RYAN We haven’t lost an agent
Page 19 and 20: 18. He glances at a photograph of a
Page 21 and 22: 20. She nods. She stares out of the
Page 23 and 24: 22. BUCHANAN You’re not going to
Page 25 and 26: 24. MULGREW. Who signed you up, Gin
Page 27 and 28: 26. INT. A TRAIN APPROACHING BELFAS
Page 29 and 30: 28. INT. COLLETTE’S HOME - KITCHE
Page 31 and 32: 30. PADDY Aaagh! You little bugger.
Page 33 and 34: 32. COLLETTE kisses her daughter an
Page 35 and 36: 34. A soldier suddenly blocks her w
Page 37 and 38: 36. She breaks away, staggers. She
Page 39 and 40: 38. HEADTEACHER (CONT’D) I know t
Page 41 and 42: 40. MULGREW. We need to talk about
Page 43 and 44: 42. INT. BOOK-SHOP - CAMDEN - CONTI
Page 45 and 46: 44. MARK What is it, Mam? COLLETTE
Page 47 and 48: 46. VOICE (O.S.) I’m Richard McIl
Page 49 and 50: 48. RYAN Of course. COLLETTE I don
Page 51 and 52: 50. INT. POLICE HEADQUARTERS IN BEL
Page 53 and 54: 52. A beat. ALLEN shrugs. RYAN (CON
Page 55 and 56: 54. Yes. COLLETTE The driver pulls
Page 57 and 58: 56. INT. HENDERSON’S HOUSE ON THE
Page 59 and 60: 58. EXT. STREET - CONTINUOUS. It al
Page 61 and 62: 60. INT. COLLETTE’S HOME - KITCHE
Page 63 and 64: 62. She glances up. She has no idea
Page 65 and 66: 64. INT. CAR - A FEW MINUTES LATER.
Page 67 and 68: 66. MULGREW. (CONT'D) Or did one of
Page 69: 68. INT. BELFAST’S ROYAL VICTORIA
Page 73 and 74: 72. EXT. MILLTOWN CEMETERY - DAY A
Page 75 and 76: 74. We’re CLOSE again on Gerry. H
Page 77 and 78: 76. He stares at her. And he turns
Page 79 and 80: 78. GIRL Wolf Tone called. The pass
Page 81 and 82: 80. RYAN doesn’t answer. No point
Page 83 and 84: 82. ALLEN (CONT'D) Maybe that’s w
Page 85 and 86: 84. INT. COLLETTE’S HOME - LIVING
Page 87 and 88: 86. EXT. A SNOWY HILLTOP FIELD IN S
Page 89 and 90: 88. No answer. He stops the car. GE
Page 91 and 92: 90. A long silence. GERRY You want
Page 93 and 94: 92. COLLETTE (agitated) I’ve made
Page 95 and 96: 94. COLLETTE I don’t know... RYAN
Page 97 and 98: 96. ALLEN What in the hell are you
Page 99 and 100: 98. DELAVINE (CONT’D) We have a r
Page 101 and 102: 100. PADDY What do you want? MULGRE
Page 103 and 104: 102. We follow her out... INT. LAND
Page 105 and 106: 104. INT. FLIGHT TO PARIS - DAY GER
Page 107 and 108: 106. He takes out the pistol and pl
Page 109 and 110: 108. GERRY (CONT’D) Everything we
Page 111 and 112: 110. PADDY’S head sags. Collette.
Page 113 and 114: 112. A telephone is on the desk bet
Page 115 and 116: 114. COLLETTE (CONT’D) Who did yo
Page 117 and 118: 116. INT. HOUSE OF COMMONS - DAY GE
Page 119 and 120: 118. EXT. STREET OUTSIDE THE HOUSE
Page 121 and 122:
120. EXT. HOUSE OF COMMONS - UNDERN
Page 123:
122. ON COLLETTE as she clings to h
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Shadow Dancer Screenplay - Raindance Film Festival

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