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Holloway - Crack Capitalism.pdf - Libcom

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Let us take the argument more slowly. The argument in this<br />

book is that we are living through a crisis of abstract labour and<br />

that this transforms the meaning of class struggle. In this transformation<br />

of class struggle, the quality (and not just the quantity)<br />

of time becomes a central and overt point of conflict, again. To<br />

the extent that the reality and the concept of class struggle were<br />

dominated by the conflict between abstract labour and capital,<br />

the quality of time was not an issue. It could not be, simply<br />

because the abstraction of doing into labour is inseparable from<br />

the abstraction of time. It is only with the crisis of abstract labour<br />

that the quality of time comes to the fore and it again becomes<br />

clear that class struggle can (and must) be understood not just as<br />

a quantitative conflict about time, but as a qualitative conflict,<br />

that is, as a conflict between two different concepts and practices<br />

of time. There is their time, the time of capital: the abstraction<br />

of time from our lives, the negation by time of our humanity.<br />

And there is our time, a time that springs from our lives: not a<br />

time-in-which we live, but a time-as-which we live. Their time<br />

against ours; our time against theirs - that is the conflict, and it<br />

is now an open and intense conflict present in every moment of<br />

existence. For us the challenge is to break their time, to shoot<br />

clocks.2 But what is our time, and how can we nourish it in<br />

such a way as to break their time? The following points seek to<br />

suggest a way forward.<br />

2. OUR TIME BREAKS DURATI ON.<br />

In Mary Shelley's famous story (1818/1985), Dr Frankenstein<br />

creates a Creature, and the Creature then acquires an independent<br />

existence, a durable existence in which he no longer depends on<br />

the creative activity of Dr Frankenstein. In another story, a story<br />

by Jorge Luis Borges, 'Las Ruinas Circulares' (194112000a), a<br />

man creates another man, but he does it not in a laboratory but<br />

by dreaming. The man created has all the appearance of being<br />

a normal man with an independent, durable existence, but in<br />

fact he is kept alive only by the constant creative activity, the<br />

dreaming, of the first man. In neither case is the existence of the<br />

created being an illusion, but in the second case his duration is<br />

229

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