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Introduction to Maya Hieroglyphs - Wayeb

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Kettunen & Helmke 2011<br />

Glossary of Linguistic Terminology<br />

lexical ambiguity<br />

A type of ambiguity that arises when a word has multiple meanings. The <strong>Maya</strong> word chan (sky, four, snake) is<br />

often cited as an instance of lexical ambiguity. See also HOMOPHONE.<br />

mediopassive<br />

A VOICE that is used in certain languages like Latin, Ancient Greek, and in the <strong>Maya</strong> languages. In the<br />

mediopassive voice (middle voice), the agent is completely deleted and is <strong>to</strong> be unders<strong>to</strong>od only in general terms<br />

or not at all. Instead, the PATIENT becomes the SUBJECT of the verb. In the mediopassive voice the action of the<br />

subject is directed <strong>to</strong>wards the subject itself; e.g. (in Classic <strong>Maya</strong>): chukuuy Aj Ukul (“Aj Ukul got captured”).<br />

metaphor<br />

A figurative expression which is not <strong>to</strong> be unders<strong>to</strong>od literally (but which refers <strong>to</strong> certain conceptual similarity),<br />

i.e. a metaphor employs an altered but similar concept <strong>to</strong> another concept or idea, e.g: “At this point I’m really<br />

drained and burned up trying <strong>to</strong> absorb linguistic data”.<br />

me<strong>to</strong>nymy<br />

A routine in which one word (that is an attribute of another, more complex or an abstract word) is used <strong>to</strong> stand<br />

for another word or concept. For example, in the phrase “The pen is mightier than the sword” pen and sword<br />

represent writing/publishing and war/military force/violence, respectively. In a same manner, the word crown can<br />

refer <strong>to</strong> monarchy or <strong>to</strong> the royal house (a concept that has me<strong>to</strong>nymic attributes as well) and window table can<br />

refer <strong>to</strong> the cus<strong>to</strong>mers seated on a window table.<br />

minimal pair<br />

A set of two words or other structures which differ in meaning and which have only one difference in their<br />

sounds. See CONTRAST for further information.<br />

mood<br />

A cover term for one of the four INFLECTIONAL categories of VERBS (mood, TENSE, ASPECT, and modality). The most<br />

common categories are: indicative (statement), imperative (command), optative (wish), etc. It seems at present<br />

that the only mood in the <strong>Maya</strong> hieroglyphic texts is that of indicative.<br />

morpheme<br />

The smallest meaning-bearing unit (minimal grammatical unit), i.e. a word or a part of a word that cannot be<br />

divided in<strong>to</strong> smaller meaning-bearing forms. Morphemes are generally either ROOTS or AFFIXES. For example, the<br />

word “in<strong>to</strong>xicated” has four morphemes: the prefix “in-“, the root “<strong>to</strong>xic”, and the suffixes “-ate” and “-ed”. A<br />

Classic <strong>Maya</strong> glyphic example of chu-ka-ja produces a transcription of chu[h]kaj which can be divided in<strong>to</strong> four<br />

morphemes: chu[-h]k-aj-Ø (chuk: <strong>to</strong> seize; -h-: passive marker of CVC transitive verbs; -aj: thematic suffix; and –Ø:<br />

third person absolutive pronoun [sign “Ø” represents a “ZERO MORPHEME”]).<br />

morphology<br />

A subfield in linguistics that is involved in the study of MORPHEMES, or the internal structure of words.<br />

morphophonemic<br />

Relating <strong>to</strong> the change of one PHONEME <strong>to</strong> another in particular surroundings. The presence of morphophonemic<br />

constructions (morphosyllables) in the <strong>Maya</strong> hieroglyphic writing system is still debatable. In this volume<br />

morphosyllables are not considered part of the description of the <strong>Maya</strong> writing system (as reconstructions<br />

presently favored by the European school of <strong>Maya</strong> epigraphers are an equally viable solution <strong>to</strong> the variant<br />

137/154

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