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Selahattin Ölçeroğlu, has the opinion of the authenticity
of the breaking, wood burns a variety
of shades of color on the coloring dyes may be
performed for the essence of this technique and
damage. Various degrees of heat produced by
burning Ölçeroğlu tells us that this pen. Asked
the secret of this technique is applied by the
artist, "a percent talent, ninety-nine percent of
the study therefore does not use paint in any
way. Framework, including the pattern, wood,
canvas, all hues, the canvas surface of a metaltipped
angry patient and meticulous work.He
says "That's the formula".
Old Engravings Of Istanbul In Love
Today we learned that paintings in collections
in many countries, from Brazil to Japan Selahattin
Ölçeroğlu, a complete lover of Istanbul.
Breathtaking view of Istanbul is possible to see
the old engravings, mostly work. Points out that
the reason for the concentration of the engravings
in old Istanbul "I give great value elegant
engravings of European painters that revealing
lines Istanbul's past centuries, the natural, cultural
and social wealth of which reflects the present
day Istanbul, forming a visual history of the documentary
value of these works.
Today, these engravings trapped between the pages
of the book, they have a mysterious atmosphere,
and large format black-and-white color scheme that
blends wood burns exhume interpreting, domestic
and foreign audiences want to introduce in a very different
image. On this purpose, these engravings to
us as a gift to a cultural heritage and memories of
the European engraving the names of painters, also
I think that I will be constantly kept on the agenda.
"He says. European artists of engraving, the engraving
only with drawing, but also the richness of the old
town by publishing them in books of travel writing in
Europe centuries ago, introducing the first "honorary
cultural ambassadors".
(S.Ö.)
Ölçeroğlu, continues the words: "These artists are also
15th in Istanbul this century engravings made from the
cultural and artistic relations between Europe and Turkey,
and gave the first examples of these relationships
have played a leading role in the development to the
present day. So it, did that for decades the main purpose
of interpreting the old Istanbul, engravings, etchings,
this technique is rarely elegant color tones with
an image re-introduce the world of culture and art,
European engravings and etchings by artists to keep
alive the names of the debt of gratitude that I think is
a little bit against them which they deserved though."
Selahattin Ölçeroğlu gives information that this is an
ongoing project in mind for some time sepia-andwhite
interpretations of old Istanbul ENGRAVINGS
large collection of a table is prepared . I have a dream
of the artist on this collection. Work is completed and
is ready for collection, interpreted by the European
gravure engravings in black and white originals, along
with plans to offer art lovers at an exhibition organized
by painters Ölçeroğlu memories. The artist, this
collection about a suitable venue in another dream as
a permanent exhibition of a person or organization
that can demonstrate collectively, delegating, monitoring
by art lovers for many years to recognize opportunities.
"I will dedicate this permanent exhibition
of European artists engraving after carrying out my
project on the old Istanbul grapvure, think that I will
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