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You Are My Lord, If I Have Any Fame,<br />
It’s Thanks To You<br />
Hafiz Osman explains in an Arabic document, in “nesih”<br />
calligraphy, the path that leads him to this, Sheyh<br />
Hamdullah’s help on this path. The original document,<br />
which is in Topkapi Palace, says:<br />
“He who reads my writing carefully and fairly, may<br />
Allah’s mercy be with you! Know that I, haven’t reached<br />
Hamdullah’s level, who has reached a holy level. I<br />
could not go to him to learn his style from him. I didn’t<br />
have the chance to get his education, either. But I took<br />
some of his nice verses and thought about them. After<br />
that, I felt that I had to adapt his work. I worked day<br />
and night, and with the help of Allah, I reached this level.<br />
I pray to Allah to let me get to higher levels with<br />
heartiness. Because my work was when I was young.<br />
Now is, without a doubt, the time to move forward.<br />
A page of a Hilye album with a rose tezhip on it, belonging to the Sadberk Hanim Museum<br />
he turned to Seyyid Ismail Efendi, who was also called<br />
“Nefeszâde” for more writing lessons. Seyyid Ismail<br />
Efendi was a member of Sheyh Hamdullah’s aklâm-i<br />
sitte school and was of equal rank with him. He accepts<br />
Osman Efendi as a student, and starts from<br />
scratch, teaching him the letters first. Osman Efendi<br />
showed no arrogance, and did his lessons without<br />
complaint, starting from the alphabet. He gets used<br />
to writing pretty quickly, and eventually gets used to<br />
Sheyh Hamdullah’s writing style down to the last detail.<br />
With this talent, he copies the Sheyh’s Qur’an style<br />
and his mastery of the art is even more visible. But,<br />
knowing Hamdullah’s writing style wasn’t enough for<br />
Hafiz Osman. He was in search of new styles and untouched<br />
beauties. In 1679, his writing shows visible<br />
difference. Aklâm-i Sitte shows an unmatched beauty.<br />
The Least Deserving of His Name and The<br />
Weakest Believer of Allah, Hafiz Osman”<br />
In calligraphy, it’s important for the hand to get used to<br />
writing. Afterwards, you must keep your hand fit through<br />
constant practice. Master Calligraphers spend almost<br />
every day writing so they don’t lose their skill and<br />
their hands don’t get cross with them. Hafiz Osman<br />
would doodle whenever he had the time. At those times,<br />
getting to Hicaz from Ottoman soil took weeks,<br />
maybe even months. In 1676, Hafiz Osman intended<br />
to become a pilgrim. The trip took him two years. However<br />
good he may be, a calligrapher who spends this<br />
much time without writing will have his talents waste<br />
away. Since Hafiz Osman knew this, he took his quill<br />
and ink with him and wrote a few pages whenever<br />
he was free. There are even writings he wrote in Arafat.<br />
Becoming The Sultan of The World<br />
is a Fruitless Effort<br />
The word literature (Edebiyat in Arabic) comes from<br />
the word “edeb”, which means manners. Although<br />
the poet puts words in a line, like beads on a rosary,<br />
he is always humble, and always should be. He knows<br />
that it is Allah who gave him this talent in poetry. Also<br />
literature sets a good and valid example for other arts.<br />
Hafiz Osman was one of the best examples of this.Hafiz<br />
Osman, who’s fame reached all the way to the palace,<br />
was hired to give calligraphy lessons to Sultan<br />
Mustafa II and his brother Ahmed III. In the palace,<br />
while giving the sultan lessons, he wears clothes that<br />
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