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You Are My Lord, If I Have Any Fame,<br />

It’s Thanks To You<br />

Hafiz Osman explains in an Arabic document, in “nesih”<br />

calligraphy, the path that leads him to this, Sheyh<br />

Hamdullah’s help on this path. The original document,<br />

which is in Topkapi Palace, says:<br />

“He who reads my writing carefully and fairly, may<br />

Allah’s mercy be with you! Know that I, haven’t reached<br />

Hamdullah’s level, who has reached a holy level. I<br />

could not go to him to learn his style from him. I didn’t<br />

have the chance to get his education, either. But I took<br />

some of his nice verses and thought about them. After<br />

that, I felt that I had to adapt his work. I worked day<br />

and night, and with the help of Allah, I reached this level.<br />

I pray to Allah to let me get to higher levels with<br />

heartiness. Because my work was when I was young.<br />

Now is, without a doubt, the time to move forward.<br />

A page of a Hilye album with a rose tezhip on it, belonging to the Sadberk Hanim Museum<br />

he turned to Seyyid Ismail Efendi, who was also called<br />

“Nefeszâde” for more writing lessons. Seyyid Ismail<br />

Efendi was a member of Sheyh Hamdullah’s aklâm-i<br />

sitte school and was of equal rank with him. He accepts<br />

Osman Efendi as a student, and starts from<br />

scratch, teaching him the letters first. Osman Efendi<br />

showed no arrogance, and did his lessons without<br />

complaint, starting from the alphabet. He gets used<br />

to writing pretty quickly, and eventually gets used to<br />

Sheyh Hamdullah’s writing style down to the last detail.<br />

With this talent, he copies the Sheyh’s Qur’an style<br />

and his mastery of the art is even more visible. But,<br />

knowing Hamdullah’s writing style wasn’t enough for<br />

Hafiz Osman. He was in search of new styles and untouched<br />

beauties. In 1679, his writing shows visible<br />

difference. Aklâm-i Sitte shows an unmatched beauty.<br />

The Least Deserving of His Name and The<br />

Weakest Believer of Allah, Hafiz Osman”<br />

In calligraphy, it’s important for the hand to get used to<br />

writing. Afterwards, you must keep your hand fit through<br />

constant practice. Master Calligraphers spend almost<br />

every day writing so they don’t lose their skill and<br />

their hands don’t get cross with them. Hafiz Osman<br />

would doodle whenever he had the time. At those times,<br />

getting to Hicaz from Ottoman soil took weeks,<br />

maybe even months. In 1676, Hafiz Osman intended<br />

to become a pilgrim. The trip took him two years. However<br />

good he may be, a calligrapher who spends this<br />

much time without writing will have his talents waste<br />

away. Since Hafiz Osman knew this, he took his quill<br />

and ink with him and wrote a few pages whenever<br />

he was free. There are even writings he wrote in Arafat.<br />

Becoming The Sultan of The World<br />

is a Fruitless Effort<br />

The word literature (Edebiyat in Arabic) comes from<br />

the word “edeb”, which means manners. Although<br />

the poet puts words in a line, like beads on a rosary,<br />

he is always humble, and always should be. He knows<br />

that it is Allah who gave him this talent in poetry. Also<br />

literature sets a good and valid example for other arts.<br />

Hafiz Osman was one of the best examples of this.Hafiz<br />

Osman, who’s fame reached all the way to the palace,<br />

was hired to give calligraphy lessons to Sultan<br />

Mustafa II and his brother Ahmed III. In the palace,<br />

while giving the sultan lessons, he wears clothes that<br />

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