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Rumi patterns. The patterns in the ornament which<br />

was formed by gouging technique are flat surfaced.<br />

Ornaments of same sort are seen in the plinth of the<br />

squinches which provide passage to the dome in front<br />

of the mihrab.<br />

Erzurum Ulu Mosque has reached today without its<br />

authenticity in the period of Saltuqids. The tablet with<br />

the inscription that the mosque was built in 1179 by<br />

Malik Mohammad, son of Izzeddin Saltuk doesn't exist<br />

today. 15 In its plan, it is formed by naves straight to<br />

the mihrab, and it replicates the mosques which have<br />

domes in front of mihrab. There is a wooden dome<br />

now in the place of the large pendentive dome placed<br />

on the coves with moldings. 16 Large kerb around the<br />

muqarnas basket ornamented mihrab niche is engraved<br />

with geometrical patterns in alto-relievo. One<br />

of the two spans on the axis of mihrab in north south<br />

direction is covered with a muqarnas dome. The similarity<br />

between this type of cover and the middle span<br />

in the Yakutiye Madrasa which is an Ilkhanate period<br />

structure in Erzurum indicates that could have been<br />

built in a later period. In this region, it is widely seen<br />

the ribbed and rope-shaped moldings which were different<br />

carving styles of the local master-builders as well<br />

as the architectural features belong to Azerbaijan region.<br />

Especially the cambered molding surfaces were<br />

used mostly in the Eastern Anatolian region. 17<br />

Geometrical dowels on the elevations with thin niches<br />

in Mama Hatun Cupola in Tercan, 18 which was presumably<br />

built in the early 13th century, cohere the traditional<br />

influence. The bays on the muqarnas basket<br />

ornament of the entrance were ornamented geometrically.<br />

A dowel patterned cincture consisting of roundprofiled<br />

bands takes places just below and a cincture<br />

of cufic script with rumi patterns surrounds the floor<br />

below it.<br />

We see the first example of the geometrical compositions<br />

in the Great Seljuk brickwork processed in stone,<br />

which is the Anatolia's local material, on the pediment<br />

of the portal of Kale Mosque (1180) in Divriği. 19 Its<br />

architect comes out as he is Azerbaijani and this ornament<br />

makes sense as the name Master Hasan bin<br />

Firuz the Maraghan was mentioned on its inscription<br />

tablet.<br />

Malik Gazi Tomb in Kemah, 20 which was presumably<br />

built in the early 13th century, shows similarities to<br />

the works in Maragha region by its being a brickwork<br />

Detail from the north portal of<br />

Ulu Mosque in Divrigi

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