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Osman Hamdi Bey "Nippur Kazıları" tablosu. (Tableau called "the Nippur Excavations" Oil painting on a canvas. 1903. 134 x 180 cm. From the archives of the Archeology and Anthropology Museum at Pennsylvania University.<br />

excavations in the Ottoman Empire that controls material<br />

removal outside the country, to get support of<br />

Osman Hamdi and an Important Artifacts of Osman<br />

Hamdi from the Louvre Museum in Iraq, handing over<br />

in a Sumerian ören as an expression of their gratitude,<br />

the table named’’ Women in the shrine, "purchased<br />

by, in that way, Osman Hamdi Bey's "Door of<br />

the Mosque" by the loneliness of the table will last<br />

for a century have begun.<br />

Waiting for two works of Osman Hamdi, however,<br />

faced with one of the exhibition in the United States<br />

authorities, for various reasons, "Door of the Mosque,"<br />

the table has decided to exhibit the general reception<br />

hall is not open to visitors, that is the fate of the table<br />

in the United States continued to loneliness.<br />

Extraordinary" The Sad Story of The Table<br />

The table in the lucky minority who admire and "extraordinary"<br />

describes as the "Door of the Mosque,"<br />

from a table named, governing excavations at Nippur,<br />

and this time met with Osman Hamdi Bey is known<br />

that John Punnett Peters mentions with admiration.<br />

Peters, published in Century Illustrated Magazine, 'An<br />

Art Impetus in Turkey' article entitled, spoke with admiration<br />

about the table, Peters, also addressed the<br />

issue of an article will be taken the table purchased<br />

by the University of Pennsylvania, After the World Columbian<br />

Exposition closed in October 1893, table is<br />

now missing.<br />

About the existence of the table, a black and white<br />

image taken after the completion of another, there<br />

is no evidence for many years in a single, The art<br />

detective on the result of historical documents were<br />

showing door of the Mosque "is a table all alone<br />

and lost. in 2007, The archives of the University of<br />

Pennsylvania Museum of Archaeology and Anthropology<br />

at the table until determination of identification<br />

was lost, it was alone Osman until Hamdi Bey<br />

and the Americans exhibition in 2007, Today, "Door<br />

of the Mosque", a historical document that reveals<br />

the cultural structure of the Ottoman Empire as realistic<br />

and as a table away from the point of view of<br />

classical orientalist solved. Osman Hamdi has determined<br />

the of woman in his mind has been pictured<br />

like o contemporary value out of harem, also in this<br />

pictures Osman Hamdi both man and woman have<br />

put together so this has commented that Orientalist<br />

outlook newly composed destruction.<br />

147

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