Download Link - Ä°SMEK
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A sulus calligraphy exercise which belons to the Great Hafız Osman Efendi.When the black stains condense readability lessons and it turns into an embroidery.<br />
Symetrical balance: The distribution of the stains on the<br />
both sides of an axis in vertical, horizontal, and slanting<br />
directions is provided in these balances. Especially that is<br />
a type of balance used much frequently in calligraphy art.<br />
Asymetrical balance: In this type of balance also called<br />
‘’uncovered balance’’ while the stain condenses in one<br />
center, the other stain on the opposite side is balanced<br />
with ‘’a stain’’ in different size and measurement value.<br />
Central balance: That is a type of balance preffered in almost<br />
all calligraphy arts.This style of balance is used more<br />
frequently in the stack of sulus and celi sulus writings than<br />
in calligraphy art.<br />
Free balance: Together with central balance, it is seen<br />
that free balance is frequently used. In this type of balance<br />
system the stains are in a propped equivalance by<br />
using multiphastic symetrics. So the balance is not only<br />
in one center but alsu seen on the whole surface. We<br />
benefit from the free balance while compozing the ‘’line<br />
writings’’ such as Nesih, rıık’a, divani.<br />
If the handwriting consists of a form on the background<br />
the spaces are decreased extremely by increasing the<br />
value of the stain in the handwriting on the paper, the<br />
handwriting stops being a form and it reaches a frame<br />
turning into the background itself. In calligraphy art this is<br />
called ‘’calligraphic exercises’’.<br />
Calligraphic exercises are embroidered in a such a way<br />
that they turn into a form themselves. Actually, these<br />
were born from the training papers of the calligrapher<br />
written one on the other with the aim of not losing his<br />
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