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evered by sultans, says: “Being a servant for a saint is<br />

the best.” and has been a source of inspiration for other<br />

calligraphers for centuries.<br />

No One Can Make A Change On What He Wrote<br />

Osman Efendi was born in 1642 in Istanbul. His father,<br />

Ali Efendi, was the muezzin (the person who sings<br />

the call to prayer) of Haseki Sultan Mosque. He gets<br />

the standard education of that time, under the patronage<br />

of Vezir Köpruluzâde Mustafa Paşa. He memorizes<br />

the Qur’an at a young age and becomes “Hafiz Osman”.<br />

Hafiz Osman, who had a deep respect and reverence<br />

for the Qur’an was also talented in calligraphy.<br />

This talent, coupled with curiosity, led him to one of<br />

the most important calligraphists of the time, Calligrapher<br />

Dervish Ali, who was known as “The Great Dervish<br />

Ali” and “The First Dervish Ali”. Dervish Ali was<br />

the top representative of the school of Sheyh Hamdullah.<br />

It was difficult to tell between Dervish Ali’s and The<br />

Sheyh’s calligraphies. This is why Dervish Ali was also<br />

called Sheyh-i Sani (second Sheyh). And Hafiz Osman<br />

and Dervish Ali start aklâm-i sitte writing lessons.<br />

Vira Bismillah, Aklâm-ı Sitte<br />

Calligraphy, which is an art that developed all the way<br />

from Hz. Ali’s caliphate, has the name kûfî, after the<br />

city of Kûfe. When compared with today’s calligraphy,<br />

it is more primeval. As time moved on, especially in the<br />

last years of the Umayyads, the letters were less cornered.<br />

Ibn Mukle, a renowned vizier and calligrapher<br />

of The Abbasids, wanted rules to be set for calligraphy<br />

and a rule was found: “Aklâm’ı Sitte”, which consists of<br />

six types of calligraphy (muhakkak, reyhâni, sulus, nesih,<br />

tevki and rik’a).<br />

Huseyin Gunduz’s modern styled Hilye-i Sheriff<br />

the boatman, who refuses and says: “No need to pay<br />

me, just write me another ‘vav’, that’ll be enough.” Osman<br />

Efendi smiles and says: “Those ‘vav’s aren’t written<br />

on request!”, gives the money and gets off the boat.<br />

Some artist’s, from sultan to boatman, have been valued<br />

while they were alive; yet some were valued many<br />

years after, or not even valued at all. Calligrapher Osman<br />

Efendi was one of the former. Calligrapher, whose<br />

calligraphy and hilye-i sheriffs were passed on, even<br />

In the 1650’s Hafiz Osman starts Dervish Ali’s Aklâm-ı<br />

Sitte lessons. This goes on for a few years, but Dervish<br />

Ali has grown very old. With this reason he sends Hafiz<br />

Osman to Suyolcuzâde Mustafa Eyyubi, who was one<br />

of his students, for lessons. Hafiz Osman completes the<br />

rest of his lessons with Suyolcuzâde and earns the title<br />

of Calligrapher Hafiz Osman. In the year 1659, Hafız<br />

Osman is 18 years old.<br />

The Information Is Hidden In Details<br />

They say that information is hidden in details. Although<br />

Hafiz Osman got a madrasa diploma, he didn’t<br />

think he was well enough at writing. Because of this,<br />

26

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