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children of poor families. It’s said that he bumps into a<br />

student who hasn’t been coming to lessons a few days<br />

with a valid reason. The student explains to his teacher<br />

the situation he’s in. Hafiz Osman’s reaction is an<br />

unexpected one; he gets off his steed, sits on a rock on<br />

the side and says to the student: “Come, let’s see what<br />

you’ve done for your lessons.”<br />

Hilye-i Sheriff, Showing Sincerity<br />

They say that “What is to be, will be.”. If something<br />

good is going to happen, there are reasons for it to<br />

happen. Something happens; something follows it and<br />

so on. Hafız Osman’s love for religion and the Prophet<br />

has been one of his reasons.<br />

Hilye, which means “a piece of jewelry”, becomes a term<br />

in “Hilye-i Sherriff” and “Hilye-i Nebevî”. Writings that<br />

describe the Prophet’s appearance and manners are called<br />

“Hilye-i Sherriff”. Muslim artists, out of respect, have<br />

refrained from drawing the Prophet’s picture. This has<br />

caused Hilye-i Sherriff’s to be written for people who<br />

haven’t been able to see the Prophet in person. When<br />

the Prophet’s daughter, Hz. Fatima realized that her father<br />

was going to pass away, she was so sad. So our<br />

Prophet said to Hz. Ali (Hz. Fatima’s husband): “Write<br />

my Hilye. Whoever reads it will feel like they’ve seen me.<br />

“The Hilya-i Sharifa, which was designed in the free form and is almost like<br />

a picture, The Sadberk Hanım Museum, the 18th Century.”<br />

Hafiz Osman, who had an extremely humble personality,<br />

did not care for the fame brought from his masterpiece<br />

writings, being a teacher at the palace and<br />

his well known fame; because mastery of calligraphy<br />

wasn’t a goal for him. Calligraphy and his mastery at it<br />

were mediums to take him to the true goal. This knowledge<br />

led him to being interested in Sufism. He went to<br />

Sunbul Efendi’s religion school’s teacher Seyyid Aladdin<br />

Efendi. Both his hand and his heart are cleansed of rust<br />

with the help of the masters at the school.<br />

This religious education raises him even more in the eyes<br />

of the folk. He gets more students, he gets people from<br />

far away visiting to see his work and join his lessons. He<br />

gives two days a week to his students. One day is for<br />

the children of rich families, the other for the talented<br />

The first known Hilye writer was Tirmizi, who wrote<br />

“Şemail-i Nebi”. The first person to introduce Hilye-i<br />

Sherriff with calligraphy was Hafiz Osman Efendi. For<br />

centuries, Hilye’s were small, foldable books; to be carried<br />

in pockets. In 1690, Hafiz Osman made one on a<br />

tablet. Hafiz Osman’s oldest known pocket Hilye-i Sherriff<br />

was written in 1668. It was considered the first Hilye<br />

in history, and is still used today. After this, Hafiz Osman<br />

wrote the Hilye told by Hz. Ali, which says:<br />

“Hz. Ali (may Allah bless him), when explaining the<br />

Prophet’s (may Allah bless him) appearance, he says:<br />

“The Prophet is not too tall, not too short, but medium<br />

height. His hair was neither curly, nor straight, but between<br />

them. He had a round face, white skin, big, black<br />

eyes and long eyelashes. He had big bones and his shoulders<br />

were broad. His chest to his stomach was hairless.<br />

His palms and soles were plump. When he walked,<br />

he walked as calmly as if he was walking downhill.<br />

When he looked to his sides, he turned with his entire<br />

body. Between his shoulders was a “seal of prop-<br />

30

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