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Stain in The Art of Writing Written by: Ömer Faruk DERE* Translated by: Esma ÖZBEK The great calligrapher of Kanuni Era, Ahmet Şemseddin Karahisari’s graphic design which passed over the ages. The asymetricstrain balance used in stylized Besmele (In the God’s name) was supplied with ‘’bismi’’ stroke.
Everything begins with the pen staining the paper. The pen leaves smoke-smelling Marks on the paper where it walks.These Marks are called ‘’stain’’ that every paper desires to become. In calligraphy,art begins with ‘’stain’’ by caring for the space.If there is no space what effectiveness ‘’the stain’’ has. So the stain and the space are two eternal wedded spouses in calligraphy. This calligraphy which is accepted as a masterpiece in our calligraphy art is also a masterpiece interms of the space and the strain distribution. The signs used in celi sulus writings are used densely in order to assist the stain effect Calligraphy, Mehmed Emin Dede The paper passes over the difficult obstacles for this stain. Its viscus is marked with hot muhallebi (a kind of sweatmeat made of milk). It ventures to carry on the eggs in its layers eternally. This is not enough. It accepts to be polished under the hard Stones with the love of this beautiful stain and one day the calligrapher blow out a soul into the Marks of the pen on the paper. The simple lines that come out of the moaning of the pen turn into ‘’the reign of line’’ which commands the centuries in the calligrapher’s hands. 95
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