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There Are Some Things That Are<br />
Really Hard To Explain<br />
When we ask “Could you please tell us about your calligraphic<br />
past” the reply is like a reflex: “There are some<br />
things that are really hard to explain.” Especially, for the performers<br />
of ancient arts explaining some things is really hard.<br />
Because art is a kind of realizing the essence of articles; the<br />
acceptable part of this occupation is not about explaining<br />
the process but occupying yourself fully with it. However,<br />
the Gentleman of calligraphy does not refuse us and tells us<br />
about the ostensible part of his calligraphic past. The esoteric<br />
part of it is heard and experienced by the students of Celebi,<br />
the real experts.<br />
stay where they are. However, human feet are forwardshaped,<br />
indicating that development is a need for him.” His<br />
mind is framed by those thoughts and Celebi gets into this<br />
profession thanks to his love for paper and pencil. As there<br />
was no school, they get most of their education in a place<br />
called madrasah, close to a kind of small classroom in a village<br />
mosque in which village boys are educated by a wise<br />
man. With the idea of “The things uncommon are mostly<br />
valuable.” in mind. “Many students did not have an Alifba 1<br />
book. It is serendipity that my father went to Erzurum and<br />
brought me a holy book when I started to memorize it.<br />
Its pages were all torn and they were almost falling down.<br />
Now, I value that book like Sakal-i Serif.“ 2<br />
“I was born in 1937 at a village in Erzurum. The love for the<br />
material of this profession has begun at my juvenility. But I<br />
did not know where that love was going to take me. Celebi,<br />
starting his word like “That’s why explaining it is hard” and<br />
draws attention to the Turkey of his childhood. “The time was<br />
when Second World War was blasting. Let’s think about life<br />
in one of those villages; imagine there was no road at all. We<br />
could even fail to find a holy book to read. We were the people<br />
living in poverty and need. Not only Erzurum but also the<br />
whole country was in need. There were also bans that caused<br />
us worse problems than the poverty did.”<br />
Hasan Celebi carried on memorizing the holy book as there<br />
was no school at that time. According to Celebi, every human<br />
being needs to have a kind of occupation, to take a trip<br />
whose destination is qualifications that are different from his<br />
inborn skills, in short: “Animal feet are round-shaped, they<br />
When the love of calligraphy dropped to his heart, Celebi<br />
wondered whether there was any relative who was interested<br />
in calligraphy and started to search the lives of his grand<br />
grandfathers. So far as he finds out, there is no one interested<br />
in calligraphy, but knowledge had always been honored<br />
by them. “We figured out that 4-5 of my grandfathers who<br />
were also from an educated social class called `ilmiye sinifi` in<br />
Turkish. My great grandfather had such an education that<br />
would be enough to make him an Islamic glossator. The<br />
father of my father could not get much education due to<br />
World War II. There is a holy book left by them now owned<br />
by my brother but there is no signature on it, I do not know<br />
who wrote it.”<br />
The Way Of Art Passes Through Dersaadet 3<br />
As all kinds of material-spiritual poverty were rushing into<br />
Anatolia, Hasan Celebi comes to Istanbul so as to learn Arabic<br />
Besmele-i Sharifa, written in the Jeli Ta’liq script<br />
7