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PDF. - full text - Dunarea de Jos

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Annals of “Dunărea <strong>de</strong> <strong>Jos</strong>” University of GALAŢI<br />

Fascicle XIII, New Series.<br />

Issue 28, XVI (XXVII), 2009<br />

pp. 66-71<br />

EXISTENTIAL CHALLENGES.<br />

A SORESCU-LARKIN INTERCULTURAL CASE<br />

Daniela Ţuchel<br />

66<br />

Language<br />

and<br />

Literature<br />

1. Introduction<br />

Postmo<strong>de</strong>rn man needs ‘metaknowledge’ – knowledge acquired through the<br />

inferential mo<strong>de</strong>. The following is a free transposition of Nora Iuga’s (2005) statement at the<br />

Neptun International Festival (“Zile şi Nopţi <strong>de</strong> Literatură”) in September 2005. She says: let<br />

us think of the stubbornness of a writer in search of a perfect match between written<br />

expression and the form of the thought not yet taught to speak out. Just imagine the<br />

economy. Anything useless would be left out, every ‘noise’ would be retired, every ‘că’,<br />

‘cum’, ‘care’, ‘căci’, ‘acum’, ‘atunci’, and so forth. We might be floating, continually ellipting<br />

and spinning out a language pierced like a lace. Rea<strong>de</strong>rs would be enabled to pull through a<br />

coloured string off their own silence. It could be unimaginably beautiful! (“Dar ce să facă un<br />

scriitor care se încăpăţînează să scrie, nu cum se vorbeşte, ci cum se gîn<strong>de</strong>şte: să scrii ca întrun<br />

amor perfect cînd forma scrisă a gîndului s-ar suprapune total peste forma gîndului care<br />

n-a învăţat încă să vorbească. Vă daţi seama ce economie s-ar face? Am elimina tot ce e <strong>de</strong><br />

prisos, am scoate la pensie toţi paraziţii care ne bruiază emisia, pe ‘că’ şi pe ‘cum’ şi pe ‘care’<br />

şi pe ‘căci’ şi pe ‘acum’ şi pe ‘atunci’ şi cîte altele; am pluti într-o elipsă continuă – o limbă cu<br />

găurele ca o dantelă prin care orice cititor îşi poate trasa panglica colorată a propriei tăceri.<br />

Nici nu vă daţi seama cît ar putea fi <strong>de</strong> frumos!”)<br />

The present paper has left behind history and traces contemporary stories and<br />

i<strong>de</strong>ntities born out of compactness and not expansion, out of lacunar economy and not of<br />

periphrastic, reiterated, appositely or appositionally functional pieces.<br />

By means of the parallel addressed in this article, we will try to manage a “site” in the<br />

spirit of Christopher Tindale from whom we quote (2004: 3):<br />

“As a ‘site’, the argumentative situation is a nongeographical space, located in and<br />

created by discourse. We inhabit such spaces with different facility, some of us with ease,<br />

others with discomfort. Yet they are crucial to our self-un<strong>de</strong>rstanding and our<br />

un<strong>de</strong>rstanding of others.”<br />

So much for the operation preliminary to un<strong>de</strong>rstanding and interpreting space. In<br />

time, the basic operation suggested by the <strong>text</strong> of the two poems reproduced below is<br />

syncopation in a cognitive sense. That means to say that the experience reduces the number of<br />

events in the temporal string. Marin Sorescu chooses to represent one’s last biographical<br />

stage by the emergence of the spi<strong>de</strong>r’s web, of the bodily weakness and of the soul’s<br />

separation – an evolutionary <strong>de</strong>velopment compressed to three moments of observation.<br />

Philip Larkin has a time-line of two longer and one shorter mid-positioned spans recording<br />

processes: of darkness setting in, of a sheet slowly drawn over and of hands loa<strong>de</strong>d down.<br />

These notable process occurrences are compressed by syncopation. Now let us consi<strong>de</strong>r the

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