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Dimensions: A Casebook of Alien Contact - Above Top Secret

Dimensions: A Casebook of Alien Contact - Above Top Secret

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e wearing its hair in three long tresses on either side <strong>of</strong> the head.3. The scorpion-men, who have large phallic attributes in one figure but in another case wouldmore properly be called scorpion-women. They are only seen supporting the disk. It wouldbe interesting to find out where the word scorpion comes from in connection with thesefigures. The scorpion-men are consistently about two-thirds the size <strong>of</strong> men, who in turn aresmaller than the gods. (Pr<strong>of</strong>essor Douglas Price-Williams <strong>of</strong> UCLA points out that in theGilgamesh epic the scorpion creatures were the guardians <strong>of</strong> the mountain <strong>of</strong> the sun. Thescorpion-man in the Babylonian Enuma Elish was a monster created by chaos at thebeginning <strong>of</strong> the world. Price-Williams adds: "These creatures would thus be tellurianbeings, 'chthonic' as Jung would have said.")4. Various monsters, such as a horned creature or a sphinx.Why should the observation <strong>of</strong> a flying disk be represented in the context <strong>of</strong> an obviously magicalceremony that does not appear to have any traditional characteristic <strong>of</strong> Phoenician religion? We aretold, for instance, that the Phoenicians held the same view as the Hebrews concerning the survival<strong>of</strong> the soul, that they buried their dead with great care, and that their sacrificial ceremonies involvedkilling human beings and sacred prostitution. Why then is it that, if the seals are associated withspiritual or religious values, they depict nothing <strong>of</strong> this, but do instead show winged disks thatappear to come from a star, contain strange beings who carry <strong>of</strong>f earth animals, and emit lightningbolts? And why are the human assistants wearing special vestments with wings on them?Representation <strong>of</strong> flying disks in religion does not stop with the Phoenicians. The symbol is a basicone in the early Christian church, and it is consistently associated with the angels. Christiantheology does not have much to say about the angels, just as <strong>of</strong>ficial Muslim theology remainsdiscreet about the jinn. Some rare documents, however, give details concerning the nature <strong>of</strong> thesebeings. According to Japanese researcher Y. Matsumura, the religious Sophia, a written documentcommenting on the dogma <strong>of</strong> the Greek Orthodox Church preserved in the Leningrad NationalLibrary, describes the process <strong>of</strong> communication between God and the angels:How does the Lord guide His Angel, if the Angel cannot see the face <strong>of</strong> His Lord? An Angelhas a projection on the upper part <strong>of</strong> his eyes, where a sacred cloud rests. He has also a thingto recieve sounds on his head. This thing makes noises as an Angel recieves an order whereto go from his Lord. Then he quickly looks at the mirror in his hand, and he gets in themirror something on which an instruction from God is given.I have not been able to verify directly the existence <strong>of</strong> this document and the accuracy <strong>of</strong> thetranslation, but it is consistent with a number <strong>of</strong> paintings, icons, and murals that depict contactbetween "God" and His messengers and contact between the messengers and men. Communicationfor a long time took place through pictorial representation rather than words, and it is not surprisingto find few descriptions <strong>of</strong> such contact in written language.I am inclined to a literal, rather than purely symbolic, interpretation <strong>of</strong> the scenes depicted on thePhoenician amulets, and I am also tempted to accept as a working hypothesis that in times remotecontact occurred between human consciousness and another consciousness, variously described asdemonic, angelic, or simply alien. This would explain much <strong>of</strong> the symbolic power retained in ourown time by the concept <strong>of</strong> "signs in the sky." It would account for the fact that modern-day UFOsseem to present archaic as well as futuristic designs (as in the representation <strong>of</strong> the Arabicastrological sign for Venus on the object seen at Socorro, New Mexico, by patrolman LonnieZamora), and it would also explain the fascination that people <strong>of</strong> all countries and races havealways had for the strange entities from "above."How constant these observations and visions have remained will be seen by comparing thePhoenician seal story with the following letter from a woman who saw a scorpion-man... in ourtime!

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