Very well, little son. Come back tomorrow at daybreak. I will give you a sign for him. Youhave taken much trouble on my account, and I shall reward you for it. Go in peace, and rest.The next morning, Juan did not come. His uncle – his only relative – was dying. Juan spent the daytrying to relieve his sufferings and left him only on Tuesday, to get a priest. As he was running toTlaltelolco, the apparition again barred his way. Embarrassed, he told her why he had not followedher instructions, and she said:My little son, do not be distressed and afraid. Am I not here who am your Mother? Are younot under my shadow and protection? Your uncle will not die at this time. This very momenthis health is restored. There is no reason now for the errand you set out on, and you canpeacefully attend to mine. Go up to the top <strong>of</strong> the hill: cut the flowers that are growing thereand bring them to me.There were no flowers on the top <strong>of</strong> the hill, as Juan Diego knew very well. In the middle <strong>of</strong>December, there could be no flower there, and yet, upon reaching the place, he found Castilianroses, "their petals wet with dew." He cut them and, using his long Indian cape – his tilma – toprotect them from the bitter cold, carried them back to the apparition. She arranged the flowers hehad dropped in the warp, then tied the lower corners <strong>of</strong> the tilma behind his neck so that none <strong>of</strong> theroses would fall. She advised him not to let anybody but the bishop see the sign she had given himand then disappeared. Juan Diego never met her again.At the bishop's palace several servants made fun <strong>of</strong> the Indian visionary. They "pushed him around"and tried to snatch the flowers. But when they observed how the roses seemed to dissolve whenthey reached for them, they were astonished and let him go. Juan was taken once more to thebishop.Juan Diego put up both hands and untied the corners <strong>of</strong> crude cloth behind his neck. Thelooped-up fold <strong>of</strong> the tilma fell: the flowers he thought were the precious sign tumbled outand lay in an untidy heap on the floor. Alas for the Virgin's careful arrangement!But Juan's confusion over this mishap was nothing to what he felt immediately after it.Inside <strong>of</strong> seconds the Bishop had risen from his chair and was kneeling at Juan's feet, andinside <strong>of</strong> a minute all the other persons in the room had surged forward and were alsokneeling.The bishop was kneeling before Juan's tilma, and, as Ethel Cook Eliot remarks, "Millions <strong>of</strong> peoplehave knelt before it since," for it has been placed over the high altar in the basilica <strong>of</strong> Our Lady <strong>of</strong>Guadalupe in Mexico City. The tilma consists <strong>of</strong> two pieces, woven <strong>of</strong> maguey fibers and sewntogether, measuring sixty-six by forty-one inches. On this coarse material, whose color is that <strong>of</strong>unbleached linen, a lovely figure can be seen, fifty-six inches tall.Surrounded by golden rays, it emerges as from a shell <strong>of</strong> light, clear-cut and lovely in everydetail <strong>of</strong> line and color. The head is bent slightly and very gracefully to the right, justavoiding the long seam. The eyes look downward, but the pupils are visible. This gives anunearthly impression <strong>of</strong> lovingness and lovableness. The mantle that covers the head andfalls to the feet is greenish blue with a border <strong>of</strong> purest gold, and scattered through withgolden stars. The tunic is rose-colored, patterned with a lace-like design <strong>of</strong> golden flowers.Below is a crescent moon, and beneath it appear the head and arms <strong>of</strong> a cherub.Juan's uncle was cured. As he was awaiting the priest, too weak even to drink the medicine hisnphew had prepared, he saw his room suddenly filled with s<strong>of</strong>t light. A luminous figure, that <strong>of</strong> ayoung woman, appeared near him. She told him he would get well and informed him <strong>of</strong> JuanDiego's mission. She also said, "Call me and call my image Santa Maria de Guadalupe" – or so the
message was understood.In the six years that followed the incident, over eight million Indians were baptized. In recent times,some fifteen hundred persons still go to kneel before Juan Diego's tilma every day.This case reminds us <strong>of</strong> several important aspects <strong>of</strong> the many tales <strong>of</strong> fairies we have reviewed: themysteious, sweet music announcing that the fairy draws near; the flowers (roses once again) thatgrow in an impossible place; and the sign given to the human messenger, which changes nature ashe goes away, like the coals that changed to gold given to human midwives by the gnomes; thenumerous similar symbols found in countless tales. Indeed, we cannot help but recall here the word<strong>of</strong> Hartland in his Science <strong>of</strong> Fairy Tales: "This gift <strong>of</strong> an object apparently worthless, which turnsout, on the conditions being observed, <strong>of</strong> the utmost value, is a commonplace <strong>of</strong> fairy transactions.It is one <strong>of</strong> the most obvious manifestations <strong>of</strong> superhuman power." A final aspect is the cosmicsymbolism, the crescent moon under the Virgin's feet, as in the lines <strong>of</strong> Revelation:And there appeared a great sign in heaven; a woman clothed with the sun, and the moon wasunder her feet, and upon her head a crown <strong>of</strong> twelve stars.The Functioning LieWhat does it all mean? Is it reasonable to draw a parallel between religious apparitions, the fairyfaith,the reports <strong>of</strong> dwarf-like beings with supernatural powers, the airship tales in the UnitedStates in the last century, and the present stories <strong>of</strong> UFO landings?I would strongly argue that it is – for one simple reason: the mechanisms that have generated thevarious beliefs are identical. Their human context and their effect on humans are constant. Theobservation <strong>of</strong> this very deep mechanism is crucial. It has little to do with the problem <strong>of</strong> knowingwhether UFOs are physical objects or not. Attempting to understand the meaning, the purpose, <strong>of</strong>the so-called flying saucers, as many people are doing today, is just as futile as was the pursuit <strong>of</strong>the fairies, if one makes the mistake <strong>of</strong> confusing appearance and reality. The phenomenon hasstable, invariant features, some <strong>of</strong> which we have tried to identify and label clearly. But we havealso had to note carefully the chameleon-like character <strong>of</strong> the secondary attributes <strong>of</strong> the sightings:the shapes <strong>of</strong> the objects, the appearances <strong>of</strong> their occupants, and their reported statements vary as afunction <strong>of</strong> the cultural environment into which they are projected.As we have seen with the airship stories in Chapter Two, a good number <strong>of</strong> bearded charactersalighted in the Midwest and elsewhere in 1897 to request water from a well, bluestones, or othersimilar things. The stories witnesses told were believable, if somewhat astounding, to Americanfarmers <strong>of</strong> the time. The airship itself corresponded to the popular concept <strong>of</strong> an elaborate flyingmachine: it had wheels, turbines, wings, powerful lights. There is only one detail not yet dealt with:the fact that the airship, though believable to the witnesses <strong>of</strong> 1897, is no longer credible to us. Weknow that the device as described could not possibly fly, unless its outside appearance was designedto decieve potential witnesses. But if so, why? And what was it? What was the purpose <strong>of</strong> such asimulacrum?Perhaps the airship, like the fairy tricks and the flying saucers, was a lie so well engineered that itsimage could sink very deep into human consciousness and then be forgotten – as UFO landings areperiodically forgotten, as the appearances <strong>of</strong> supernatural beings in the Middle Ages are forgotten.But, then, are they really forgotten?Human actions are based on imagination, belief, and faith, not on objective observation – asmilitary and political experts know well. Even science, which claims its methods and theories arerationally developed, is shaped by emotion and fancy, or by fear. And to control human imaginationis to shape mankind's collective destiny.Beyond the question <strong>of</strong> the physical nature <strong>of</strong> the UFOs, it is imperative that we study the deeperproblem <strong>of</strong> their impact on our imagination and culture. How the UFO phenomena will affect, in thelong run, our views about science, about religion, about the exploration <strong>of</strong> space, is impossible to
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Foreword by Whitley StrieberThere a
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It is sad that, as the twentieth ce
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PART ONE: THE ALIEN CHRONICLESIn th
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lot about it, but nobody said 'Let'
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The resemblance of the Dogu statues
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various forms of error worship unde
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them. These apparitions are scarce,
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was again shot at. Another creature
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The story is fantastic. Yet it remi
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their virginity in the sanctuaries
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A letter from a British woman begin
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The recollections of the legionnair
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lades. In less time than it takes t
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e called Smith said: "No, we cannot
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Celtic legends, along with the docu
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of reports about "the robots" and "
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eathe our air. They walked normally
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the designation Wolf 424.The myster
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a scar or a mark. The authorities w
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esearches might have a bearing on a
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me undeniable) and as psychic devic
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extraterrestrial theory is not stra
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the universe summarizes the problem
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About the AuthorAn astrophysicist b