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Dimensions: A Casebook of Alien Contact - Above Top Secret

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the door, he turned and recieved a "terrible shock": the door was open, and a woman as naked as hewas came in. Her hair was blonde, with a part in the center. She had blue eyes, rather longer thanround, slanted outward. Her nose was straight, her cheekbones prominent. Her face looked verywide, "wider than that <strong>of</strong> an Indio native." It ended in a pointed chin. Her lips were very thin, nearlyinvisible. Her ears were small but ordinary. She was much shorter than he was, her head onlyreaching his shoulder. She quickly made clear to him what the purpose <strong>of</strong> her visit was. Soon afterthe sexual episode, a man came in and beckoned to the woman, who, pointing to her belly, smiled,pointed at the sky, and followed the man out.The men came back with Antonio's clothes, then took him to a room where the other crew memberswere sitting, growling among themselves. The witness, who felt sure no harm would come to himnow, carefully observed his surroundings. Among other things – all his remarks here are <strong>of</strong> interest– he noticed a box with a glass top that had the appearance <strong>of</strong> an alarm clock. The "clock" had onehand and several marks that would correspond to the three, six, nine, and twelve <strong>of</strong> an ordinaryclock. However, although time passed, the hand did not move, and Antonio concluded that it was noclock.The symbolism in this remark by Villas-Boas is clear. We are reminded <strong>of</strong> the tales quoted above, <strong>of</strong>the country where time does not pass, and <strong>of</strong> that great poet who had in his room a huge white clockwithout hands, bearing the words "It is later than you think." Indeed, it is the poetic quality <strong>of</strong> suchdetails in many UFO sightings that catches the attention – in spite <strong>of</strong> the irrational, or obviouslyabsurd, character <strong>of</strong> the tale – and makes them so similar to a dream. Antonio must have though so,because he reflected that he must bring some evidence back and tried to steal the "clock." At once,one <strong>of</strong> the men shoved him to the side angrily. This attempt to secure evidence is a constant feature<strong>of</strong> fairy tales, and we are also reminded <strong>of</strong> the efforts by Betty Hill to convince her captors to let hertake a peculiar "book" she saw inside their craft. As in the Villas-Boas incident, the men denied herthe opportunity to convince the world that the experience had been real. (She also observed astrange map that we will discuss in a later chapter.)At last, one <strong>of</strong> the men motioned Antonio to follow him to a circular platform. He was then given adetailed tour <strong>of</strong> the machine, taken to a metal ladder, and signaled to go down. Antonio watched allthe details <strong>of</strong> the preparation for take<strong>of</strong>f and observed the craft as it rose and flew away in a matter<strong>of</strong> seconds. He noticed that the time was 5:30 A.M. He had spent over four hours inside the strangemachine.It must be noted that the witness volunteered information about the sighting in general terms when anotice appeared in a newspaper calling for UFO reports. He was extremely reluctant to discuss themore personal aspects <strong>of</strong> his experience and related them only when questioned with insistence byFontes. Like Maurice Masse, Villas-Boas suffered from excessive sleepiness for about a month afterthe incident.The Sexual EpisodesWhen folklore becomes degraded to a minor literary form, as the fairy-faith was degraded to thefairy tales we know today, it natualy loses much <strong>of</strong> its content: precisely those "adult" details thatcannot be allowed to remain in children's books. The direct result <strong>of</strong> the censorship <strong>of</strong> spicy detailsin these marvelous stories is that they become mere occasions for amazement. The Villas-Boas caseis hardly appropriate for nursery-school reading, but to eliminate the woman from the story wouldturn it into a tale without deep symbolic or psychological value. The sexual context is preciselywhat gives such accounts their significance and their impact. The sexual (and, in some casesmentioned by Budd Hopkins, the sadomasochistic) component <strong>of</strong> the abduction stories provides anemotional "encoding" that makes them unforgettable.Without the sexual context – without the stories <strong>of</strong> changelings, human midwives, intermarriagewith the Gentry, <strong>of</strong> which we never hear in modern fairy tales – it is doubtful that the tradition aboutfairies would have survived through the ages. Nor is that true only <strong>of</strong> fairies: the most remarkable

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