M300 Owner's Manual-English - Lexicon

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300 V 3.0 Owner's ManualLexiconP315 CC:*SpaceOutEA:711 *Great RoomEB:604 *3Voice DlysThis preset loads two effects, both of which have Soft knob parameterpatches. The Soft knob parameter has a Setup valueof 18. AMIX is set to 37%, so that much of the dry signal bypasses the reverb preset and passes through to the delay effect.If you want to increase the amount of reverb going into the delay effect, locate the AMIX Setup parameter and increase it.MchA EA:711 *Great RoomThe Soft knob parameter advances Predelay and Spread to open the room up nearly to hall proportions. Bass multiply(BASS) is set to 2.0X to round out the bottom end.MchB EB:604 *3Voice DlysTwo taps (Delays 3 and 4 ) are set with delay ratios of 1:2, meaning that, when one is 200ms, the other is 400ms, or whenone is 359, the other is 718ms. This relationship is patched to the Soft knob parameter in Setup Select mode.P316 CC:*JetVerbEA:712 *Great HallEB:616 NegativeFlngTake off!!! The long reverb in Machine A (which can be made longer by advancing the Soft knob parameter) passes into aflange driven by 0.14Hz triangle LFO.MchA EA:712 *Great Hall The largest room size yet at 64meters. Similar to Great Room, with Spread and Predelaypatched to the Soft knob, with the addition of reverb time also patched. Dig Deep!!MchB EB:616 NegativeFlng This is a really stiff flange which goes almost 20ms deep. Flange gain is set extremelynegative, so the sound is tunnel-like.P317 CC:BigBricksEA:713 Big Bricks EB:902 Drum Comp 3:1This Setup really enunciates the Big Bricks preset. 100% of the reverb in Machine A preset feeds into the compressor inMachine B.MchAEA:713 Big Bricks Real “ratchety” sounding effect. Powerful for non-linear applications.MchB EB:902 DrumComp 3:1 This preset amplifies Big Bricks, with 7dB of boost below the selected Threshold. A quickrelease of 58ms snaps up the volume. As with all compressor presets, Threshold is the critical parameter.P318 CC:Rev->EKOzEA:710 Big Hall EB:612 Chorus+EKOzThis is a beautiful long lasting effect. Half (50% AMIX) of the input signal passes around Big Hall and feeds directly to theChorus and EKOz effect in Machine B. If you need a pristine effect for a pristine track, this is it!! The LFO is set moderatelyhigh with a rate of 2.92Hz (sine wave). You may want to slow it down if the glide is too much.MchA EA:710 Big Hall Big and open sounding. The 44ms of Predelay helps to separate the stage from the seating area.Real good sounding on ballad vocals.MchB EB:612 Chorus+EKOz Chorus+EKOz makes use of the flange gliding delay under the control of the Setup LFOplus several recurring long echoes.5-16
The PresetsP319 CC:Rev->KorusEA:706 Big & ShortEB:609 ChorusThis Setup is a variation of the one above, except that it’s a shorter “close in” effect. There is also a different twist to thisSetup preset — L-Meter ballistics are patched to the AMIX Setup parameter. As the signal becomes stronger, AMIXbecomes progressively dryer, allowing more of the input signal to pass directly into the chorus effect. The LFO is set to1.98Hz with a triangle waveform. It controls the speed of the Glide in Machine B.MchA EA:706 Big & Short This reverb effect is short, almost gated. Big room size set to 54.6M, and Rt set to 0.3 seconds.This preset really “opens up a sparse track.MchB EB:609 Chorus This preset makes use of a small variation in the glide delay to modulate the sound. The glidemoves between 9.7ms and 11.8ms. Advancing the LFO to values near 1.50Hz to 2.0 Hz yields a nice chorusing effect. Thereare no other delay lines, but the output lines are channel-swapped such that the left input passes to the right output, andvice-versa.P320 CC:Over!TopEA:605 OverTheTop1EB:606 OverTheTop2Use pre-fade. One flanger feeds the next. Very heavy duty. The input gain to the Setup is set to -4dB. This is to compensatefor the heavy amount of flange gain in both Machines. Since the LFO is in the setup domain, it drives both flange glide delaysin each Machine. !Remember the outputs of OverThe Top2 are reversed, so don’t drive yourself crazy trying to find reversedpatch cords!MchA EA:605 OverTheTop1 This preset should be used pretty much through the box, i.e. patched to the LFO. Whenproperly modulated, the flange delay glides between 9.5ms and 18.7ms. The base delays are set to 10ms with a positivefeedback gain. Over the top cancellation occurs as the glide delay passes over the 10ms base delay.MchB EB:606 OverTheTop2Similar to OverTheTop1, except the flange delay glides between 0.08 ms and 10.7ms. This flange delay is patched to theLFO. Base delays are set to 10ms with a negative amplifier gain. Over the top cancellation occurs as the glide delay passesover the 10ms base delay. The channel outputs are reversed such that the left input will pass through to the right outputand vice-versa.P321 CC:GuitarXPEA:611 LFO:Pan&FazeEB:607 LFO:Faze DlysGuitarXP incorporates a left/right panning effect in Machine A into a modulating glide effect with added delays. The LFO(set to 0.20Hz with a triangle waveform) ties it all together. Here’re some suggestions: add some extra LDLY (Left delay)and RDLY (Right delay) to Machine B in Effect Edit. Go back to Setup Edit,and reduce BMIX to less than the preset 100%— say, to something like 45%, find the Cascade feedback parameter and add a small amount of feedback gain, eitherpositive or negative, then store it all in a Setup Register.MchA EA:611 LFO:Pan&Faze This cool wavy preset should be run pre-fader with the Setup LFO at about .20Hz. Witha mono or stereosignal attached to both inputs, the acoustic effect is a slow rotation in phase. Thank goodness for CD’s.No record cutting lathe could handle this one. Clean compressed guitars are the best here.MchB EB:607 LFO:FazeDlys Faze Dlys makes use of the LFO patched to the Flange Glide Delay(FDLY). The basedelays are set in different time domains: one side at 1.9ms with a feedforward gain; the other at 5.6 with a negative feedgain. As the Glide passes over each base delay, the phase of each gain is changed. In between, the output is a mixtureof each. A great effect on a ripping guitar solo.5-17
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Unpacking and InspectionAfter unpac
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Contents, cont'd. 4. The Algorithms
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Congratulations on your purchase of
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Installing the 300Installing the300
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Installing the 300The Rear PanelTim
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Installing the 300CablesFor best pe
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Installing the 300ConfigurationsCon
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PUSHPUSHPUSHPUSHPUSHPUSHPUSHPUSHIns
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PUSHPUSHPUSHPUSHInstalling the 300A
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300 V 3.0 Owner's ManualLexiconTerm
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300 V 3.0 Owner's ManualLexiconSETU
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System Operation3System Operation3-
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System OperationIf you wish to chan
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System OperationNOTE: Most studio a
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System OperationWhen working in a f
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System OperationSetup Select mode a
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System OperationTo enter Setup Sele
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System OperationSetup Edit mode is
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System OperationWhen you have made
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System OperationPage FiveNaming the
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System OperationHere again, turning
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System OperationSoft knob patches a
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System OperationThe MIDI Control pa
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System OperationPage FiveSCMS ModeS
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System OperationSrc : SET Large Hal
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M300 Owner's Manual-English - Lexicon

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