M300 Owner's Manual-English - Lexicon

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300 V 3.0 Owner's ManualLexiconSmall Stereo Ad-General DescriptionSmall Stereo AdjustParametersjustThe Small Stereo Adjust algorithm is a version of Stereo Adjust with some of thespecialized features omitted. It is designed to be put in a Cascade Setup aheadof PONS.Stereo AdjustmentsCC: MSTR BAL ROTOff, -72dB to +12dB L+2.9 to R+2.9dB L+2.9 to R+2.9dBMchA - SPEQ RFnS- Cut, -6 to +6dB +L+R,+L-R,+R+L,-R+LEqualizationCC: BASL LTRB BXOVCut, -18dB - +6dB Cut, -18dB - +6dB 0.1-26.5kHzMchA BASR RTRB TXLRCut, -18dB - +6dB Cut, -18dB - +6dB 0.1-26.5kHzEffect Naming PageMSTR R F'n'S Balance RotateEqualizerBASL BASR BXOVLTRB RTRB TXLRSPEQMSTR (Master Fader)BAL (Balance)ROT (Rotate)Stereo Adjustments PageMSTR is a stereo level control, with both channels equally attenuated orboosted. From -12 to +12 the fader moves in .25 dB increments. Below -12 itmoves in .50 dB increments. Below -60 dB the calibration comes in larger steps,finally dropping to zero output at -72 dB.BAL implements a sine/cosine balance adjustment. Balance is smoothly adjustedover a wide range, with excellent resolution in the critical area aroundzero. The display indicates the actual channel gains as the control is varied.ROT is similar to BAL, but it treats stereo information somewhat differently. Anysignal panned to the center (mono) will be treated by ROT exactly as it would betreated by BAL. However, if a signal is panned full right and the control is movedtoward the right, instead of simply being attenuated (as BAL would do) the rightchannel is inverted in phase and added to the left channel. A stereo imageappears to rotate when this control is used. Ambient information is preserved,4-34
The Algorithms and their Parametersand both channels appear to retain equal loudness.If stereo material is recorded with a coincident pair of figure-of-eight microphones,moving the ROT slider is exactly equivalent to rotating the microphonepair. Other microphone arrays and multimicrophone setups do not rotateperfectly, but using this control is frequently preferable to simply adjustingbalance. The display shows the actual channel gains for a continually pannedsource.RFnS is used for digitally correcting probelms you used to be able to fix (orcreate) by switching analog cables around. The normal setting is +L to the leftoutput and +R to the right output. Other settings should only be used whencorrecting some problem created previously in the recording process.+L+R = Normal Routing+L-R = Right Channel polarity inverted (flipped)+R+L = Left and Right Channels swapped-R+L = Right flipped and swapped with LeftRFnS (Right ChannelFlip 'n' Swap)Equalization PageBASL and BASR are 6dB/octave shelving EQ controls with a range of +6 dBboost and -18dB cut. They move in .50 dB steps from +6 to -6 dB. The crossoverpoint is adjusted with BXOV.These controls allow independent adjustment of left and right treble. They maybe used together with the stereo adjustments to create a 12 dB/octave cut orboost. Note that the 3 dB frequencies can be different from the stereo set.BXOV sets the crossover point for BASL and BASR. When BASL and BASR areset to full cut, the level is -3 dB at the frequency set with BXOV.TXLR sets the crossover point for LTRB and RTRB. When either is set to fullcut, the level is -3 dB at the frequency set with TXLR.BASL and BASRLTRB and RTRBBXOV (Bass Crossover)TXLR (IndependentTreble Crossover)SPEQ (Spatial EQ)SPEQ sets the amount of a crossfeed between channels. The signal first goesthrough a 6 dB/octave low-pass filter whose frequency is set with BXOV. WhenSPEQ is set positive (above 0) the crossfeed has a negative sign. When SPEQis set negative (below 0), the crossfeed has a positive sign. When the control isset to either maximum or minimum, the gain in the crossfeed circuit is unity.The result of this control is to change the separation of low frequency stereosignals. When the control is raised, low frequencies in the sum (mono) channelare reduced, and low frequencies in the difference (stereo) channel are raised.With the control at maximum, low frequency mono signals are completelyremoved. This represents an extreme setting which should seldom be needed4-35
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Unpacking and InspectionAfter unpac
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Contents, cont'd. 4. The Algorithms
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Congratulations on your purchase of
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Installing the 300Installing the300
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Installing the 300The Rear PanelTim
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Installing the 300CablesFor best pe
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Installing the 300ConfigurationsCon
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PUSHPUSHPUSHPUSHPUSHPUSHPUSHPUSHIns
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PUSHPUSHPUSHPUSHInstalling the 300A
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300 V 3.0 Owner's ManualLexiconTerm
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300 V 3.0 Owner's ManualLexiconSETU
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System Operation3System Operation3-
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System OperationIf you wish to chan
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System OperationNOTE: Most studio a
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System OperationWhen working in a f
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System OperationSetup Select mode a
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MIDI Implementation Data9MIDI Imple
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Specifications10300 Specifications1
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SpecificationsAnalog Input to Analo
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