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300 V 3.0 <strong>Owner's</strong> <strong>Manual</strong><strong>Lexicon</strong>From the 300's Control mode, there are two input format selections availablewhen running Cascade programs: Analog or Digital. If Analog is selected as themain input type, then the Digital Input can be used as a patch point — either Pre-Machine A, Mid A - B, or Post Machine B. As in the other setups, there are Inputlevel and source Balance Controls. Cascade setups, however, have three mixcontrols. AMIX proportions the dry signal to A's wet signal. BMIX proportionsthe resulting A output with Machine B's output. OMIX takes the resulting A+Bmix and blends(mixes) it with the dry signal which is picked off before EFFECTA.Cascade setups also include an overall feedback control which routes the Boutput back to Machine A's input. Be careful!! This parameter can wipe outtweeters, woofers and ears if used too liberally.Note:If the sum of the feedback parameters in EFFECT A , EFFECT B and theabove-mentioned overall Feedback parameter is greater than 100%,runaway feedback will occur.For example, assume Machine A is running a Dual delay effect with Delay1Feedback set to 40% and Delay3 Feedback set to 40%. Machine B is runninga Mono Shift program with the feedback parameter set to 40%. The totalamount of feedback in the system is 80%. So far, so good.... that is until youadd more than 20% Cascade Feedback. BE CAREFUL!!!!CASCADE Setups offer an amazing number of effect combinations: Chambersinto Delays, Pitch Shifts into Chambers, Flanges into Delays, Reverbs intoCompressor, etc. You experiment, name, and store new combinations into UserSetup Registers. Remember, Input levels, Source Balances, Mix Balances,Feedback amounts, LFO type, and, of course, the two effects are part of thestorable Setup.3-8
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