M300 Owner's Manual-English - Lexicon

More documents

Recommendations

Info

300 V 3.0 Owner's ManualLexiconStereo AdjustGeneral DescriptionThe Stereo Adjust algorithm offers fine adjustments of level and equalizationduring digital mastering. Its stereo digital fader permits 0.25dB trimming andprovides full fades to digital zero at the end of a track. Its two sets of shelvingtreble EQ can be set for different 3dB points and gains. BASS and SPEQ permitadjustment of stereo width, enhancing the spaciousness and depth of therecording.Stereo AdjustParametersStereo AdjustmentsMSTR BAL ROT DLAYOff, -72dB to +12dB L+2.9 to R+2.9dB L+2.9 to R+2.9dB 0-5000msD-EM 11µs RFnSOn, Off On, Off +L+R,+L-R,+R+L,-R+LStereo Adjust EQ and SpatialBASS TREB LTRB RTRBCut, -18dB - +6dB Cut, -18dB - +6dB Cut, -18dB - +6dB Cut, -18dB - +6dBBXOV TXOV TXLR SPEQ0.1-26.5kHz 0.1-26.5kHz 0.1-26.5kHz Cut, -6 to +6dBStereo Adjust Delay and FeedbackLDLY LFIN RDLY RFIN0-5000ms 0-500 samples 0-5000ms 0-500 samplesLFBK Lfbk RFBK Rfbk-99 to +99% -99 to +99% -99 to +99% -99 to +99%DC OffsetsDCSW L-DC R-DC SHUFReset, Manual, Auto -99 to +99% -99 to +99% 0-10Effect Naming PageLFBLfb11 µsΣΣΣΣLevelR F'n'S Balance RotateEqualizerB XVR BASS+ SPATIALTR XVR TREB+ D-EML/R XVR L TRB+ R TRB+L DelayL/R DlyR DelayL FineR FineRfbRFBStereo Adjustments PageMSTR (Master Fader)MSTR is a stereo level control, with both channels equally attenuated orboosted. From -12 to +12 the fader moves in .25 dB increments. Below -12 itmoves in .50 dB increments. Below -60 dB the calibration comes in larger steps,finally dropping to zero output at -72 dB.4-18
The Algorithms and their ParametersBAL implements a sine/cosine balance adjustment. Balance is smoothly adjustedover a wide range, with excellent resolution in the critical area aroundzero. The display indicates the actual channel gains as the control is varied.BAL (Balance)ROT is similar to BAL, but it treats stereo information somewhat differently. Anysignal panned to the center (mono) will be treated by ROT exactly as it would betreated by BAL. However, if a signal is panned full right and the control is movedtoward the right, instead of simply being attenuated (as BAL would do) the rightchannel is inverted in phase and added to the left channel. A stereo imageappears to rotate when this control is used. Ambient information is preserved,and both channels appear to retain equal loudness.ROT (Rotate)If stereo material is recorded with a coincident pair of figure-of-eight microphones,moving the ROT slider is exactly equivalent to rotating the microphonepair. Other microphone arrays and multimicrophone setups do not rotateperfectly, but using this control is frequently preferable to simply adjustingbalance. The display shows the actual channel gains for a continually pannedsource.DLAY controls a 5-second stereo delay line, with a resolution of 10 milliseconds.Separate mono and fine controls are on the Delay page below. This is a postprocessingfull-level delay, and is always in the circuit.DLAYWhen D-Em is On, the incoming signal is digitally de-emphasized. This shouldnot be used unless the material has been emphasized in the record process—such as a PCM-F1 tape. Note that the emphasis bit in the incoming signal canbe turned off from the 300 front panel. See Chapter 2: System Operation: SetupEdit.D-EM(De-emphasis On/Off)When digital de-emphasis is applied, the CD mastering lab must be informedthat the tape is not emphasized, and the CD emphasis bit should be manuallyset to Off. Mastering labs are happy to do this, but they must be informed!When this control is on, the left channel is delayed relative to the right by 11µsec(1/2 sample). This control specifically corrects for the timing error betweenchannels caused by consumer digital systems (e.g. the Sony PCM-F1 and itsprogeny) that time-share single analog converters. Turning on this delay timealigns the left channel audio data for compatibility with professional systems.11 µsec (1/2 sample)RFnS is used for digitally correcting probelms you used to be able to fix (orcreate) by switching analog cables around. The normal setting is +L to the leftoutput and +R to the right output. Other settings should only be used whencorrecting some problem created previously in the recording process.+L+R = Normal Routing+L-R = Right Channel polarity inverted (flipped)+R+L = Left and Right Channels swapped-R+L = Right flipped and swapped with LeftRFnS (Right ChannelFlip 'n' Swap)4-19
Page 2 and 3:
Unpacking and InspectionAfter unpac
Page 4 and 5:
Contents, cont'd. 4. The Algorithms
Page 6 and 7:
Congratulations on your purchase of
Page 8 and 9:
Installing the 300Installing the300
Page 10 and 11:
Installing the 300The Rear PanelTim
Page 12 and 13:
Installing the 300CablesFor best pe
Page 14 and 15:
Installing the 300ConfigurationsCon
Page 16 and 17:
PUSHPUSHPUSHPUSHPUSHPUSHPUSHPUSHIns
Page 18 and 19:
PUSHPUSHPUSHPUSHInstalling the 300A
Page 20 and 21:
300 V 3.0 Owner's ManualLexiconTerm
Page 22 and 23: 300 V 3.0 Owner's ManualLexiconThe
Page 24 and 25: 300 V 3.0 Owner's ManualLexiconOver
Page 26 and 27: 300 V 3.0 Owner's ManualLexiconSETU
Page 28 and 29: System Operation3System Operation3-
Page 30 and 31: System OperationIf you wish to chan
Page 32 and 33: System OperationNOTE: Most studio a
Page 34 and 35: System OperationWhen working in a f
Page 36 and 37: System OperationSetup Select mode a
Page 38 and 39: System OperationTo enter Setup Sele
Page 40 and 41: System OperationSetup Edit mode is
Page 42 and 43: System OperationWhen you have made
Page 44 and 45: System OperationPage FiveNaming the
Page 46 and 47: System OperationHere again, turning
Page 48 and 49: System OperationSoft knob patches a
Page 50 and 51: System OperationThe MIDI Control pa
Page 52 and 53: System OperationPage FiveSCMS ModeS
Page 54 and 55: System OperationSrc : SET Large Hal
Page 56 and 57: 300 V 3.0 Owner's ManualSingle Setu
Page 58 and 59: 300 V 3.0 Owner's ManualRandom Hall
Page 60 and 61: 300 V 3.0 Owner's ManualLexiconRand
Page 62 and 63: 300 V 3.0 Owner's ManualLexiconRand
Page 64 and 65: 300 V 3.0 Owner's ManualRLVL (Rever
Page 66 and 67: 300 V 3.0 Owner's ManualLexiconRich
Page 68 and 69: 300 V 3.0 Owner's ManualLexiconFBK1
Page 70 and 71: 300 V 3.0 Owner's ManualLexiconSter
Page 78 and 79: 300 V 3.0 Owner's ManualDual Delays
Page 80 and 81: 300 V 3.0 Owner's ManualLexiconSpli
Page 82 and 83: 300 V 3.0 Owner's ManualSPRD (Sprea
Page 84 and 85: 300 V 3.0 Owner's ManualLexiconDLYD
Page 86 and 87: 300 V 3.0 Owner's ManualCompressorP
Page 88 and 89: 300 V 3.0 Owner's ManualLexiconSmal
Page 90 and 91: 300 V 3.0 Owner's ManualLexiconin p
Page 92 and 93: 300 V 3.0 Owner's ManualThe Setup P
Page 94 and 95: 300 V 3.0 Owner's ManualLexiconSing
Page 96 and 97: 300 V 3.0 Owner's ManualSplit Setup
Page 98 and 99: 300 V 3.0 Owner's ManualLexiconP208
Page 110 and 111: 300 V 3.0 Owner's ManualSplit Setup
Page 112 and 113: 300 V 3.0 Owner's ManualLexiconEP #
Page 114 and 115: 300 V 3.0 Owner's ManualLexiconEP #
Page 116 and 117: 300 V 3.0 Owner's ManualLexiconEffe
Page 118 and 119: 300 V 3.0 Owner's ManualEffect Pres
Page 120 and 121: 300 V 3.0 Owner's ManualLexiconEffe
Page 122 and 123:
300 V 3.0 Owner's ManualLexiconEffe
Page 124 and 125:
Page 126 and 127:
Page 128 and 129:
300 V3.0 Owner's ManualLexiconUsing
Page 130 and 131:
300 V3.0 Owner's ManualSnapping eve
Page 132 and 133:
300 V3.0 Owner's ManualProgrammingP
Page 134 and 135:
300 V3.0 Owner's ManualThings to Co
Page 136 and 137:
300 Event List300 V3.0 Owner's Manu
Page 138 and 139:
300 V 3.0 Owner's ManualLexiconThe
Page 140 and 141:
300 V 3.0 Owner's ManualLexiconDyna
Page 142 and 143:
300 V 3.0 Owner's ManualReal-time M
Page 144 and 145:
300 V 3.0 Owner's ManualMIDI Dumps
Page 146 and 147:
300 V 3.0 Owner's ManualTroubleshoo
Page 148 and 149:
MIDI Implementation Data9MIDI Imple
Page 150 and 151:
Specifications10300 Specifications1
Page 152 and 153:
SpecificationsAnalog Input to Analo
show all

M300 Owner's Manual-English - Lexicon

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?