M300 Owner's Manual-English - Lexicon

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300 V 3.0 Owner's ManualLexiconP208 DM: *Pch/PchEA:803 *Up ShiftEB:806 Echo DownA true Dual-Mono pitch preset. Going to the Soft knob parameter location (in Setup Select mode) will enable you to advancethe delay parameter in the Machine A effect.MchA EA:803 *Up Shift Up Shift is a sweet sounding microshift up +7cents. There is a slight “chorus edge” due to amodest amount feedback around a 0ms delay line. The Soft knob controls the delay line length.MchB EP:806 Echo Down 14 cents down with a 258ms recirculating delay line. This effect works great either before orafter a Reverb preset (in a Cascade Setup).P209 DM: Pch/CompEA:810 Vocal ShiftEB:902 DrumComp3:1Send a vocal track into the left input and send a mono prefade drum premix into the right input.MchAEA:810 Vocal Shift This preset combines a short delay line recirculating around a -7 cent pitch shifter.MchB EB:902 DrumComp 3:1 This is a bit more agressive, with 7dB of boost below the selected threshold. A quickrelease of 58ms snaps up the volume. As with all compressor presets, Threshold is the critical parameter.P210 DM: Comp/CompEA:901 EZ Comp EB:902 DrumComp 3:1This is a true “Dual Mono” Setup. Any audio (analog or digital) should be sent pre-fade or inserted in a patch point.MchA EA:901 EZ Comp 2:1 A nice preset to add to an overall mix. You may need to adjust Threshold to make it workfor the particular signal you’re feeding it. The release parameter is set to gently fall away after 363ms.MchB EB:902 DrumComp 3:1 This is a bit more agressive, with 7dB of boost below the selected threshold. A quickrelease of 58ms snaps up the volume. As with all compressor presets, Threshold is the critical parameter.P211 DM:Slow SpinEA:607 LFO:FazeDlysEB:609 ChorusThe LFO is set to 0.90Hz with a Triangle waveform, and is attached to both Machine Flange Glide Delays. Turning the LFOfaster will speed things up, but may cause Machine A to pitch too heavily. This preset can be used with either mono or stereosources, but discrete echoes will appear at the left output.MchA EP:607 LFO:FazeDlys Faze Dlys makes use of the LFO to the Flange Glide Delay (FDLY). The base delays areset in different time domains: one side at 1.9ms with a feedforward gain; the other at 5.6 with a negative feed gain. As theGlide passes over each base delay, the phase of each gain is changed. In between, the output is a mixture of each. A greateffect on a ripping guitar solo.MchB EP609 Chorus This preset makes use of a small variation in the glide delay to modulate the sound. The glide movesbetween 9.7ms and 11.8ms. Advancing the LFO to values near 1.50Hz to 2.0 Hz yields a nice chorusing effect. There areno other delay lines, but the output lines are channel-swapped such that the left input passes to the right output and viceversa.In a Dual Mono Setup, this is ,of course, inaudible.5-8
The PresetsP212 DM:WideFlangEA:605 OverTheTop1EB:606 OverTheTop2This preset can be used with either two mono sources, or one stereo source. One channel glides with a positive resonance,the other flanges with a negative resonance. This preset sounds really awesome with a pre-fade mono send going to eachinput. The LFO, which is set to 0.22Hz with a triangle waveform, determines the speed of the flange glides in each Machine.MchA EP:605 OverTheTop1 This preset should be used pretty much through the box, i.e. send it a pre-fader signal, thenmix only the returns. The Flange Delay is patched to the LFO. When properly modulated, the flange delay glides between9.5ms and 18ms. The base delays are set to 10ms with a positive feedback gain. Over the top cancellation occurs as theglide delay passes over the 10ms base delay.!Remember, the LFO lives in the Setup domain, so if you load the effect intoa setup where there is no LFO activity, the preset will sound “hollow” and resonant!MchB EP:606 OverTheTop2 Similar to OverTheTop1, except the flange delay glides between .08 ms and 10.7ms. Thisflange delay is patched to the LFO. The base delays are set to 10ms, with a negative amplifier gain. Over the top cancellationoccurs as the glide delay passes over the 10ms base delay. The channel outputs are reversed such that the left input willpass through to the right output and vice-versa.!Remember, the LFO lives in the Setup domain, so if you load the effect intoa setup where there is no LFO activity, the preset will sound “hollow” and resonant!P213 DM:X-TrafficEA:612 Chorus+EKOzEB: *Sky DelaysThis preset has cross panning (ABAL and BBAL) patched between the source inputs of each Machine. That is, the left inputsignal will pan between Machine A and Machine B; the right input will do the same thing in the other direction. One idea mightbe to take a pair of related tracks (say a couple of different sounding keyboards) and cross pan them between Machine inputs.The rate of the pan is set by the LFO. Remember, the LFO (set to 0.14Hz with a triangle waveform) is also patched to theflange glides in both Machine A and Machine B.MchAEA:612 Chorus+EKOz Chorus+EKOz makes use of the flange gliding delay and several recurring echoes.MchB EB:610 *Sky Delays This preset combines a bit of giding delay along with all sets of delays. Delays 1 and 2 areset short with feedback and “tuned” diffusion gains. Delays 3 and 4 are also set short and crossfeed into 2 and 1, respectively.The is a small amount of post delay (LDLY and RDLY), and these two post echoes are patched to the Soft knob. Use theSoft knob parameter to adjust post delays to match the tempo. By itself, *Sky Delays is sort of a chorused cluster echo —very similar to a bright resonant small room. Beautiful effect on stacked vocals.P214 DM:*GearUpEA:803 *Up ShiftEB:805 Env*EKOShiftThis preset has both Machines linked to the Soft knob value location. As you advance the Soft knob parameter, the delayline lengths will get progressively longer.MchA EP:803 *Up Shift A sweet sounding microshift up +7cents. There is a slight “chorus edge” due to a modest amountfeedback around a 0ms delay line. The Soft knob controls the delay line length.MchB EP:805 Env*EKOShift The Soft knob parameter controls the delay line length, and the L-Meter is negativelypatched to the feedback (FBK) parameter, such that when signal is present, delay feedback is reduced; when the signaldisappears, feedback is increased. This is a very interesting effect when the echo fits the beat of the music.5-9
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Unpacking and InspectionAfter unpac
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Contents, cont'd. 4. The Algorithms
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Congratulations on your purchase of
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Installing the 300Installing the300
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Installing the 300The Rear PanelTim
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Installing the 300CablesFor best pe
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Installing the 300ConfigurationsCon
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PUSHPUSHPUSHPUSHPUSHPUSHPUSHPUSHIns
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PUSHPUSHPUSHPUSHInstalling the 300A
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300 V 3.0 Owner's ManualLexiconTerm
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300 V 3.0 Owner's ManualLexiconSETU
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System Operation3System Operation3-
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System OperationIf you wish to chan
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System OperationNOTE: Most studio a
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System OperationWhen working in a f
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System OperationSetup Select mode a
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System OperationTo enter Setup Sele
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System OperationSetup Edit mode is
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System OperationWhen you have made
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System OperationPage FiveNaming the
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System OperationHere again, turning
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SpecificationsAnalog Input to Analo
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