M300 Owner's Manual-English - Lexicon

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Installing the 300CablesFor best performance, maintain balanced connections, and use high-quality,low-capacitance, twisted-shielded pair cable.Analog Audio I/Oand Time CodeWhen connecting to single-ended, unbalanced devices, connect the low side tosignal ground at the unbalanced piece of equipment.For mono connection, connect the left and right input channels in parallel.Be careful to keep input and output to all channels wired consistently. Out-ofphasewiring can produce audible effects.This interface requires balanced connections using high-quality, low-capacitance,controlled-impedance, data communication, twisted-shielded pair cable.It will not work reliably if microphone cable is used.AES/EBUDigital Audio I/OThis interface is unbalanced but, because it carries digital signals, it requires theuse of 75Ω RG-59 coaxial cable.SPDIF (EIAJ CP340)Consumer Digital Audio I/OUse commercially-available, consumer audio optical cable assemblies.SPDIF (EIAJ CP340)Consumer Digital AudioOptical I/OUse standard 5-pin DIN MIDI cable asemblies, available from your local dealer.MIDI IN, OUT and THRUBelow are recommended manufacturer's part numbers for cable and cableassemblies. In some cases, two types are specified: one with an overall braidshield for heavy use, and one with a foil shield for permanent installation.Analog Audio and Time CodeBelden 8412 (microphone cable with braided shield)Belden 9461 (foil shield)AES/EBUBelden 9271 (foil shield)Gotham GAC-2 AES-FRUMaximum recommended length: 100 ft (30M)S/PDIF (EIAJ CP340) Consumer Digital AudioBelden 9259 (22 AWG conductor, .242 O.D.)Belden 8218 (27 AWG conductor, .150 O.D.)Maximum recommended length: 32 ft (10M)S/PDIF (EIAJ CP340) Consumer Digital Audio OpticalToshiba TOCP174ySony POC-15Maximum recommended length: 16 ft (5M)1-5
300 V 3.0 Owner's ManualSetting AnalogAudio LevelsLexiconWhen shipped, the 300 is set for the Analog I/O configuration. Once you haveconnected the analog inputs and outputs, you can set up the analog input andoutput levels. To do this, press the 300 front panel key marked LEVEL. Thedisplay will show:Press this button to toggleselection of INL on and off.This line is selected, and willchange as you turn the Softknob to give a visual indicationof the level settingsLevel IndicatorsRed DSP OverloadAmber -3-6Green -12-18-24-30-36-42values are dB approximateLEVELPress this button to toggleselection of INR on and off.INL ❚ ❚ ❚ ❚ ❚ ❚ ❚ ❚INR ❚ ❚ ❚ ❚ ❚ ❚ ❚ ❚(-10.0dB to +10.0dB)(-10.0dB to +10.0dB)Actual level settings (in dB)are shown here.The front panel PAGE UP and PAGE DOWN keys allow you to switch the displayfrom input levels (IN L and R) to output levels (OUT L and R).When a line is selected, the boxes on the display will be lengthened. (Theillustration above shows the upper line selected.) If both lines on the display areselected, turning the Soft knob will alter both settings simultaneously. Thebuttons directly above and below the display act as toggle switches to individuallyselect and un-select these lines.If additional gain is needed, the rear panel INPUT GAIN switch allows you to setunity gain of the 300 to 0dB (switch OUT), or to +16dB (switch IN).Feed a 1kHz tone (or a musical signal at the maximum peak level used in yoursystem) to the 300. Use the front panel Soft knob to adjust the level so that thepeak input level falls just short of lighting the red overload LED. To set the outputlevel, press the front panel PAGE UP or PAGE DOWN key and use the Soft knobto set the output to provide appropriate levels for your console or system.1-6
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