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Riddle of America, The - Waldorf Research Institute

Riddle of America, The - Waldorf Research Institute

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any sense <strong>of</strong> the innumerability <strong>of</strong> the human race, even those literatureswhich draw so largely on the Bible, which is indeed the book <strong>of</strong> the myriad.An individual genius—Dante or Cervantes or Goethe—may grasp it, butit is not in Shakespeare, for a joy in the diversity <strong>of</strong> souls is not the samething as an awe before the multiplicity <strong>of</strong> souls. French literature is aboutFrenchmen, though their names be Britannicus and Le Cid; and Frenchmenare not innumerable. For a century, English writers were infatuated with theWest Mediterranean people (they felt them to be splendid and damned), buttheir interest in them did not, to the imagination, increase the population <strong>of</strong>England or <strong>of</strong> the Earth. Nor was it increased when Eng-land came to governcolonies in all parts <strong>of</strong> the globe; those peoples beyond the sea spoke othertongues and many <strong>of</strong> them were <strong>of</strong> another color. How many is many, if themany seem to be deplorably immature and incult? <strong>The</strong> imagination playstricks on those who count souls in condescension.<strong>America</strong>ns could count and enjoyed counting. <strong>The</strong>y lived undera sense <strong>of</strong> boundlessness. And every year a greater throng <strong>of</strong> new facespoured into their harbors, paused, and streamed westward. And each onewas one. To this day, in <strong>America</strong>n thinking, a crowd <strong>of</strong> ten thousand is nota homogeneous mass <strong>of</strong> that number, but is one and one and one … up toten thousand.Billions have lived and died, billions will live and die; and this every<strong>America</strong>n knows—knows in that realm beyond learning, knows in hisbones. <strong>America</strong>n literature <strong>of</strong> the great age is filled with the grasp <strong>of</strong> thisdimension; it is in Whitman’s <strong>of</strong>t-derided catalogs, in Poe’s “Eureka,” inMelville’s resort to myth, in Emily Dickinson’s lyrics. It is not in Thoreauand Emerson, and its absence is all the more conspicuous when they arewriting under the influence <strong>of</strong> the Sanskrit scriptures, where the realizationabounds.This knowledge is now in every <strong>America</strong>n and in his glance. Andthere as everywhere it never ceases to call into question one’s grasp on one’sown identity.Fortunately for several generations, the <strong>America</strong>n has had the Bible.<strong>The</strong> Bible, like the Sanskrit scriptures, is one long contemplation <strong>of</strong> the situation<strong>of</strong> the one in the innumerable, and it sternly forbids its readers to drawany relief from what lies about them. Its characters hang suspended upon thepromises <strong>of</strong> the imagination; for generations most <strong>America</strong>ns were namedafter them. Those (one and one and one …) to whom destiny has extendeda promise and a plan have this consolation that they feel themselves to beirreplaceable. Each one is a bundle <strong>of</strong> projects.194

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