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Riddle of America, The - Waldorf Research Institute

Riddle of America, The - Waldorf Research Institute

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One <strong>of</strong> the songs on this album, “All along the Watchtower,” is aparticularly good song with which to begin our exploration <strong>of</strong> Dylan’s work.Jimi Hendrix did a heavy-rock rendition <strong>of</strong> it, making it perhaps the bestknown and most widely-heard song from the John Wesley Harding album.<strong>The</strong> song itself has the advantage <strong>of</strong> being short, a mere twelve lines. Evenso, it is an extremely powerful example <strong>of</strong> Dylan’s mystery-language. Butthere is yet an even more important aspect to the song that recommendsit as a good place to begin. For this song contains an essential insight intothe unmanifested dimensions <strong>of</strong> man’s being which is part and parcel <strong>of</strong>Dylan’s spiritual perceptions. A clear understanding <strong>of</strong> this song will go along way toward helping us unravel some <strong>of</strong> the many riddles that are setin Dylan’s lyrics like so many jewels in a tiara.Before getting into the song itself, however, I would like to make a fewgeneral observations about the song and about Dylan’s method. <strong>The</strong> song iscomposed in four stanzas: two quatrains followed by two couplets. <strong>The</strong> firsttwo stanzas relate a brief dialogue; then the third and fourth stanzas moveon to paint a single picture viewed from a double-layered perspective. In thissong, as with so many <strong>of</strong> his songs, Dylan has interwoven the obvious withthe not-so-obvious in such an artful way that individual spiritual activity isdemanded <strong>of</strong> the audience in order to penetrate the song’s meaning.By spiritual activity I mean not just listening or even thinking, butmeditation. If it is realized that this song is the product <strong>of</strong> an honest andinner, and even prayerful, questing for personal yet universal truth, it willnot seem surprising that this song requires an equally sincere and honestresponse from the whole man, from the inner as well as the outer self <strong>of</strong>the listener, before it will yield up its full import. As a built-in barrier, thisrequirement serves as something more than a mere defense: it invites spiritualcommunion.Dylan could easily be accused, as he <strong>of</strong>ten is, <strong>of</strong> merely playing aclever game <strong>of</strong> intellectual mystification if all he intended to communicatewas information wrapped in attitude. But what he is really <strong>of</strong>fering is anexperience <strong>of</strong> intuitive insight. “All along the Watchtower” is so constructedthat a meditative listener is led gradually toward the experience <strong>of</strong> a particularintuition. When the listener thus “discovers” the meaning lighting upwithin himself, he has all the “pro<strong>of</strong>” he needs <strong>of</strong> its truth. Argumentationis then beside the point. And in the process, the listener has become somethingmore than he was before, both by virtue <strong>of</strong> experiencing this intuitioncoming out <strong>of</strong> himself and by virtue <strong>of</strong> having exercised his capacity for freespiritual activity in attaining it.238

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