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Riddle of America, The - Waldorf Research Institute

Riddle of America, The - Waldorf Research Institute

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insensible or absent being. It is characteristic <strong>of</strong> our time, and related to whatI was saying about the decline <strong>of</strong> our belief in authorities and essences, thatfew orators can be heard saying, “Oh, Commonwealth <strong>of</strong> Massachusetts,persevere!” and few poets now address the Evening or Sweet Days <strong>of</strong> Childhood.And thus, through the serene tranquillities <strong>of</strong> the tropical sea, amongwaves whose hand-clappings were suspended by exceeding rapture,Moby Dick moved on, still withholding from sight the full terrors<strong>of</strong> his submerged trunk, entirely hiding the wrenched hideousness<strong>of</strong> his jaw. But soon the fore part <strong>of</strong> him slowly rose from the water;for an instant his whole marbleized body formed a high arch, likeVirginia’s Natural Bridge, and warningly waving his bannered flukesin the air, the grand god revealed himself, sounded, and went out <strong>of</strong>sight. Hoveringly halting, and dipping on the wing, the white seafowlslongingly lingered over the agitated pool that he left.<strong>The</strong>re are some literary echoes in this passage, but they are drownedout by an influence that is not <strong>of</strong> the printed page. I find but one cadencewhich recalls the Bible: “suspended in exceeding rapture”; and but onereminiscence <strong>of</strong> Elizabethan, though not Shakespearean, blank verse: “Yetcalm, enticing calm, oh whale! thou glidest on, to all who for the first timeeye thee. …”Sir Thomas Browne is never far absent; he has had his part in theevocation <strong>of</strong> Europa, and in him Melville “fatally found that quietude butthe vesture <strong>of</strong> tornadoes.” To my ear, however, the movement <strong>of</strong> this passageis primarily oratorical.Yet the observation that this passage has the air <strong>of</strong> being written fordeclamation does not distinguish it as a work <strong>of</strong> the New World. De Quincey,Carlyle, Ruskin, Chateaubriand, Victor Hugo, and Kierkegaard had all beenwriting or were about to write prose that took its tone from forensic andpulpit eloquence. <strong>The</strong>re are three elements in it, however, which indicatethat it is written in <strong>America</strong>:1. It contains a number <strong>of</strong> locutions which reveal the emergence <strong>of</strong>the <strong>America</strong>n language.2. It is directed to a classless society—to Everybody.3. It constantly betrays what I have called a certain disconnection inthe <strong>America</strong>n mind.200

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