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Riddle of America, The - Waldorf Research Institute

Riddle of America, The - Waldorf Research Institute

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<strong>The</strong>re was a grand, wild freedom, an energy <strong>of</strong> motion in the old“fuging times” <strong>of</strong> that day well expressed the heart <strong>of</strong> the peoplecourageous in combat and unshaken in endurance. …Whatever thetrained musician might say <strong>of</strong> such a tune as “Old Majesty” [by Billings],no person <strong>of</strong> imagination or sensibility could hear it renderedby a large choir without deep emotion. And when back and forthfrom every side <strong>of</strong> the church came the different parts shouting,On cherubim and seraphimFull royally He rode,And on the wings <strong>of</strong> mighty windsCame flying all abroad,there went a stir through many a stern and hard nature, until thetempest cleared <strong>of</strong>f in the words:He sat serene upon the floods<strong>The</strong>ir fury to restrain,And He as Sovereign Lord and KingFor evermore shall reign.To Stowe’s account, I can add my impressions <strong>of</strong> a few characteristicpieces, impressions that might give a further insight into the nature <strong>of</strong>the New England folk soul. Billings’ anthem “<strong>The</strong> Rose <strong>of</strong> Sharon” has afreshness and exuberance, a spring-like joy, coming from the folk-coloredmelodic lines and the dance-like rhythms as well as from the enthusiasmwith which he attempts his compositional devices. In Swan’s fuging tune“Montague,” or the anonymous “New Jordan,” the rugged modal harmoniesand the rough, vigorous cascading and colliding <strong>of</strong> the voices in thecontrapuntal sections build an impressive effect <strong>of</strong> homespun grandeur. Amood <strong>of</strong> stillness, <strong>of</strong> inward listening and openness to the spirit, is createdby the haunting, reflective quality <strong>of</strong> G<strong>of</strong>f’s fuging tune “Sutton-New,” orMorgan’s plain tune “Amanda.” <strong>The</strong>se pieces, and others like them, canhave a powerful effect on singers today.<strong>The</strong> music was usually conceived independently <strong>of</strong> any specific set<strong>of</strong> words. Although the words <strong>of</strong> some old hymns can <strong>of</strong>fer much on whichto contemplate, many seem remote and irrelevant today. <strong>The</strong> music itself,however, can make accessible the living sources <strong>of</strong> the spiritual impulsesthat inspired the people <strong>of</strong> New England and so helped to shape <strong>America</strong>ndestiny.85

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