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Riddle of America, The - Waldorf Research Institute

Riddle of America, The - Waldorf Research Institute

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all advanced unhesitatingly and <strong>of</strong>ten into the perilous reaches <strong>of</strong> ornateeloquence. Boldest <strong>of</strong> all was Walt Whitman, who saw the necessity <strong>of</strong> desophisticatinghimself in order to achieve it. All <strong>of</strong> them were able to renewthe validity <strong>of</strong> impassioned utterance by availing themselves <strong>of</strong> a number<strong>of</strong> novel elements.<strong>The</strong> novel element which seems to me to be <strong>of</strong> least importance wasthe presence <strong>of</strong> new words and idioms. <strong>The</strong>re are no examples <strong>of</strong> this in thepage we are studying. “Bejuggled,” which Melville had already employed inMardi, is not in most dictionaries, but “juggled” has a long history on bothsides <strong>of</strong> the Atlantic. But if there are no new words, there are some examples<strong>of</strong> novel usage.“<strong>The</strong> whale shed <strong>of</strong>f enticings.” <strong>The</strong>re is little doubt that De Quinceyor even Carlyle would have written “shed enticements.” “Enticings” will befollowed in the next paragraph by “hand-clappings.” <strong>The</strong>se verbal nounsbased on the present participle are relatively rare in the plural. A number,after losing their dynamic force (paintings, savings, undertakings), haveentered common use, and others (understandings, risings, mumblings)are on their way to the same static condition. But we do not say laughings,shoppings, studyings, enticings, or hand-clappings. Melville in Moby Dick<strong>of</strong>fers us intertwistings, spurnings, coincidings, imminglings, and even“what lovely leewardings!” I have counted thirty-one <strong>of</strong> them. <strong>The</strong> followingyear, while writing Pierre, he will have forgotten his infatuation with pluralgerunds and will have set out to create new words in -ness, heightening theabstraction in abstract words. <strong>The</strong>re we find beautifulness, domesticness(twice!), unidentifiableness, and undulatoriness—all deplorable and some<strong>of</strong> them atrocious.(Yet genius on wings can confound any <strong>of</strong> our own theoretical objections.Emily Dickinson wrote:’Tis glory’s overtakelessnessThat makes our running poor.In addition to forging our <strong>America</strong>n language for us, Emily Dickinson enjoyedmany a witches’ sabbath with the language on her own.)Much <strong>of</strong> this coinage in Melville is mere huffing and purring. Ayoung man <strong>of</strong> thirty-one with barely a high-school education has remarkedShakespeare’s bold inventions without having acquired the tact thatcontrolled them. I find the plural gerunds on this page, however, completelysuccessful.202

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