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Riddle of America, The - Waldorf Research Institute

Riddle of America, The - Waldorf Research Institute

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A consideration <strong>of</strong> the interrelationship <strong>of</strong> Goethe’s fairy tale,Steiner’s Mystery Dramas, and Baum’s <strong>The</strong> Wizard <strong>of</strong> Oz can perhaps putthis ideal <strong>of</strong> a Goetheanum in the West into a proper perspective. Steiner’sown research into the origin <strong>of</strong> Goethe’s fairy tale revealed that Goethe’sinspiration derived from his reading <strong>of</strong> the Chymical Wedding <strong>of</strong> ChristianRosencreutz and that Goethe’s discussions with Schiller were only the efficientcause for writing the fairy tale. Steiner’s own characterization <strong>of</strong>“<strong>The</strong> Portal <strong>of</strong> Initiation” suggests a similar inspiration, since he says thatthis Rosicrucian mystery drama came through him, not that it was writtenby him. John Algeo’s attempt to view <strong>The</strong> Wizard <strong>of</strong> Oz as a theosophical allegory,as discussed above, came about because <strong>of</strong> his desire to emphasizethe fact that L. Frank Baum was a member <strong>of</strong> the <strong>The</strong>osophical Society andthat his inspiration came from that quarter. If Steiner’s indication aboutthe Rosicrucian influence at the time <strong>of</strong> the founding <strong>of</strong> the <strong>The</strong>osophicalSociety is connected with Baum’s study <strong>of</strong> Isis Unveiled before composinghis fairy tale, then perhaps a source <strong>of</strong> inspiration similar to those <strong>of</strong> Goetheand Steiner could be discovered for <strong>The</strong> Wizard <strong>of</strong> Oz. Goethe’s fairy tale,as illumined by Prok<strong>of</strong>iev’s research, especially relates to the Russian folksoul and the East. Steiner’s Mystery Dramas lead to the building <strong>of</strong> the firstGoetheanum in the center <strong>of</strong> Europe and point to the activity <strong>of</strong> the centralEuropean archai. Baum’s <strong>The</strong> Wizard <strong>of</strong> Oz relates to Columbia, the <strong>America</strong>nfolk soul, and the West. All three may be viewed as transmutations <strong>of</strong> theChymical Wedding, but in accord with a different folk or people. <strong>The</strong> ideal<strong>of</strong> building a mystery temple is achieved for Central Europe, but it loomsas the ideal <strong>of</strong> the city <strong>of</strong> brotherly love hovering over the East until its fulfillmentin the sixth cultural age. On the <strong>America</strong>n continent, the ideal <strong>of</strong> aGoetheanum in the West would seem to await the return <strong>of</strong> the Europeanarchai and the resumption <strong>of</strong> its activity on these shores.Before trying to emulate the last stage <strong>of</strong> a process (i.e., buildinga Goetheanum), it might be helpful to consider more closely the first stepthat needs to be taken. It is said (and most <strong>America</strong>n Anthroposophists arefamiliar with this idea) that Rudolf Steiner suggested that if he had beenborn in the English-speaking world, rather than the German-speaking one,that he would have chosen Emerson’s essays to build upon rather thanthe works <strong>of</strong> Goethe. If the source <strong>of</strong> inspiration for both German idealismand <strong>America</strong>n transcendentalism is kept in mind, then this remark can betaken to refer to the preeminent representative <strong>of</strong> each cultural movementas the appropriate starting point for a genuine beginning <strong>of</strong> the process.Anthroposophists in <strong>America</strong> can do more than help talented and creative340

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