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MacFinish 2D-USB Handleiding

Hoofdstuk 1 - TimeTronics

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<strong>MacFinish</strong> <strong>2D</strong>-<strong>USB</strong> and MF8.x software Page 79<br />

Not exactly a pretty sight, is it? But of course this example was only to demonstrate what the Gain function is all about.<br />

To return to the default ‘Offset’ and ‘Gain’ settings, click the button covering the two green arrows;<br />

Obviously the idea is to look for the ideal combination so as to become the perfect color proportions.<br />

The most important (and therefore first step) is to 'calibrate' the colors so that a white object becomes really white on<br />

your computer screen.<br />

We all know that for athletics T&F the finish line is (or should be) perfectly white, so that we should also become a<br />

more or less white background (being the finish line) in our picture. In the default picture of our previous example, this<br />

is not the case. The background shows a slightly yellow undertone, due to;<br />

- The uncalibrated RGB sensitivity of the CCD (camera sensor).<br />

- The use or absence of the IR-filter.<br />

- The illumination by non-white light (artificial light or even sunlight)<br />

To change this 'yellow' into a more or less white finish line, select a part of the photo-finish picture that represents that<br />

finish line. To do so, point, press the mouse button, move to another point, and release the mouse button. As you can<br />

see, that part of the picture is selected. Then click the white rectangle in your RGB color calibration window:<br />

The result of this is visible here below; you can see that the following RGB factors (100,109,167%) are much better than<br />

the standard numbers (100,100,100%), in case you recorded the photo with sun light and used the IR-filter in front of<br />

the lens.

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