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MAI 2015<br />

“Photographic documentation needs to be<br />

provided to assess the current state of the<br />

objects, and a master plan to monitor, map,<br />

treat, pack, transport and reinstall the objects<br />

must start immediately,” he said.<br />

To guarantee the best treatment of the<br />

objects, Tawfîq said that scholars have<br />

recommended that the Egyptian Museum<br />

consider giving the documentation and<br />

conservation teams the option to work after<br />

opening hours.<br />

Minor material samples from the objects<br />

that are already detached and unrestorable will<br />

be made available for analysis to promote<br />

research and enrich the information available<br />

about technology in the time of Tutankhamun,<br />

he said. “This is one of the themes which will<br />

be addressed in the new display,” he added.<br />

He also suggested carrying out the<br />

transportation in batches and making special<br />

transport arrangements with experienced<br />

international art handling companies for the<br />

fragile pieces.<br />

Museum in Tahrîr Square last week.<br />

The exhibition, entitled “One God, Three<br />

Religions,” covers the history of religious coexistence<br />

from the earliest times to the present<br />

day. Included is a collection of 48 artefacts<br />

carefully chosen from five museums in Egypt,<br />

including the Graeco-Roman Museum in<br />

Alexandria, Islamic Museum, Alexandria National<br />

Museum, Coptic Museum and Egyptian Museum<br />

in Cairo.<br />

al-Damâtî told the Weekly that the artefacts<br />

highlight the principle of religious tolerance that<br />

has characterised life in Egypt since the<br />

earliest times, showing how in every era,<br />

Egyptians of different faiths have believed in<br />

living together in peace.<br />

“This exhibition sends a very important<br />

message to the world: that Ibrâhîm is the<br />

father of all the prophets and a messenger of<br />

the three religions. There is one God, even if<br />

faiths, places and peoples are different,” al-<br />

Damâtî said.<br />

Once the GEM has opened, a special<br />

exhibition space will be provided where visitors<br />

will be informed about the progress of the<br />

investigation and treatment of the objects. The<br />

study room will be connected to the scientific<br />

centre for Tutankhamun studies and all<br />

information will be made available online.<br />

Tawfîq said that the Tutankhamun galleries<br />

will be finished gradually and each new<br />

addition to the collection will be presented as<br />

a special event at the GEM for national and<br />

international audiences. “Additional plans for<br />

museum education, as well as public relations,<br />

will be established with their own working<br />

groups,” Tawfîq said. (Nevine El-Aref, “Risky<br />

moves?”, Al-Ahram Weekly, May 21, 2015. Voir<br />

également MENA, « Une équipe égyptienne<br />

participera à la restauration du masque de<br />

Toutankhamon », al-Yawm al-Sâbi‘, 8 mai ;<br />

Ahmad Mansûr, « al-Damâtî : inauguration<br />

partielle du GEM en 2018 », al-Yawm al-Sâbi‘,<br />

10 mai).<br />

- -<br />

Minister of Antiquities Mamdûh al-Damâtî<br />

and representatives from al-Azhar and the<br />

Coptic Church opened a three-month exhibition<br />

on religious tolerance in Egypt at the Egyptian<br />

Painted relief depicting Jesus<br />

Ilhâm Salâh, head of the Museums<br />

Department at the ministry, said the exhibition<br />

is a message to the nation to stand together<br />

against attempts to damage Arab identity and<br />

harm the Arab cultural and ethnic heritage.<br />

All the objects in the exhibition show the<br />

relationship between the three religions of<br />

Judaism, Christianity and Islam through specific<br />

topics, among them architectural and<br />

decorative elements, symbols and religious<br />

texts, showing the strong connections between<br />

the three religions.<br />

The director-general of the Egyptian<br />

Museum, Mahmûd al-Halwagî, said that among<br />

the most important artefacts on display are<br />

reliefs depicting Ibrâhîm, the father of all the<br />

prophets, and those showing religious tolerance<br />

<strong>BIA</strong> LI — Janvier/Juin 2015 136

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