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FÉVRIER 2015<br />
quelques pierres dégradées, on a pu maintenir<br />
l’aspect d’origine », dit al-Shaykha.<br />
Occupant une superficie de 400 m 2 , cette<br />
église est bâtie dans le style architectural<br />
d’une basilique. D’après Mustafa Amîn, « ce<br />
style distingue l’église des Apôtres des autres<br />
églises, notamment en raison de ses dômes.<br />
De plus, le mur ouest de l’église des Apôtres<br />
est recouvert d’une pierre en basalte ». Celle-ci<br />
montre une scène pharaonique de Ramsès II<br />
faisant une offrande à la déesse Hathor. La<br />
présence de cette stèle est la preuve qu’un<br />
temple de l’Égypte antique était situé à cet<br />
endroit, avec des textes en hiéroglyphes<br />
montrant différents titres et noms du roi. A<br />
partir du IV e siècle, quand la religion chrétienne<br />
a été autorisée à l’époque romaine, les<br />
chrétiens ont construit leur église sur les ruines<br />
de ce temple.<br />
Selon le directeur du CSA, « des icônes,<br />
des manuscrits et d’autres objets de valeur<br />
sont rassemblés sous le toit de cet édifice ».<br />
Dayr al-Rusul, ou l’église des Apôtres, reste un<br />
monastère riche en histoire qui a le potentiel<br />
nécessaire pour attirer les touristes ainsi que<br />
les amateurs d’art copte. (Nasma Réda,<br />
« L’église des Apôtres retrouve son éclat », Al-<br />
Ahram Hebdo du 4 février 2015).<br />
- -<br />
Jeudi 5 février 2015<br />
The first was the Mallawî Museum in the<br />
Upper Egyptian city of Minyâ. It was looted in<br />
August 2013 during clashes between protestors<br />
supporting the deposed former president and<br />
security forces. The violence followed security<br />
operations that broke up the sit-ins in Râbi‘a<br />
al-‘Adawiyya and Nahda Squares in Cairo.<br />
The second was the Museum of Islamic Art<br />
in Cairo, when a car bomb exploded at the<br />
Cairo Security Directorate across the street in<br />
January 2014. The blast blew a six-metre crater<br />
in Port Said Street, killing at least four people<br />
and ripping into the façade of the two-storey<br />
museum, damaging and destroying a large<br />
number of antiquities.<br />
Last Thursday, it was the turn of al-‘Arîsh<br />
Museum, which was partially destroyed during a<br />
series of coordinated attacks by militants at<br />
sites in and around al-‘Arîsh. Those surveying<br />
the site following a return to calm found the<br />
museum’s marble façade collapsed, the<br />
entrance damaged and windows and doors<br />
shattered.<br />
Inside, the false ceiling used to conceal the<br />
electricity and security systems of the museum<br />
had fallen down, glass was scattered<br />
throughout the galleries, and walls surrounding<br />
the patio had collapsed. The floor was covered<br />
with pieces of broken glass, stone blocks, metal<br />
and wooden beams.<br />
“Thankfully, the museum had been emptied<br />
of its treasured collection,” the head of the<br />
museums section at the Ministry of Antiquities<br />
told the Weekly. The 1,500 artefacts normally<br />
on display at the museum were removed and<br />
transported to a secure location at the start of<br />
the attacks in North Sinai, in July 2013, and<br />
the museum had closed its doors to visitors.<br />
The destructed marble façade<br />
The two-storey al-‘Arîsh Museum in North<br />
Sinai is the third antiquities museum in Egypt<br />
to be damaged in an attack since the ouster<br />
of former president Muhammad Mursî in July<br />
2013.<br />
He said that mortar rounds used in the<br />
attacks destroyed the rear of the museum and<br />
damaged a number of showcases within the<br />
building, as well as the security, lighting and<br />
ventilation systems. Some of the monitoring<br />
cameras were damaged, but the airconditioning<br />
is still in good condition.<br />
“I am pretty sure the damage is reparable,”<br />
he said, adding that an estimate of losses and<br />
the cost of restoration work required would be<br />
determined when the relevant committee<br />
<strong>BIA</strong> LI — Janvier/Juin 2015 34