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Buddhist Romanticism

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CHAPTER FIVE<br />

Romantic Religion<br />

Friedrich Schleiermacher, in the conversations that issued in his book,<br />

Talks on Religion for Its Cultured Despisers (1799), was the agent primarily<br />

responsible for convincing his fellow early Romantics that their view of<br />

artistic creation was actually an ideal model for religious experience as well.<br />

Just as artists should open themselves and respond creatively to the organic<br />

influences of the infinite unity of the cosmos immediately present to their<br />

awareness, all people should open themselves to an intuition and feeling of<br />

Oneness with the infinite, and then express that feeling creatively. That<br />

feeling, he said, was religion. In the same way that his fellow Romantics<br />

took a novelist’s approach to art and philosophy, Schleiermacher took a<br />

novelist’s approach to the religions of the world.<br />

The “cultured despisers” in the title of his book were people who had<br />

become disillusioned with Christianity or Judaism, both from having read<br />

modern philosophy and from having witnessed, with dismay, the behavior<br />

of established religious institutions. Modern philosophy taught laws of<br />

reason and consciousness with a clarity and consistency that made the<br />

belief systems of conventional monotheism seem murky and crude.<br />

Religious institutions, tied to the state or to old customs and texts, seemed<br />

to betray what were recognized as the good principles in their teachings,<br />

such as harmony, forgiveness, and love.<br />

At the same time, Schleiermacher thought that the efforts of previous<br />

philosophers to make religion respectable to cultured people by providing<br />

it with a rational basis had actually ended up debasing it. In particular,<br />

without naming names, he heaped ridicule on Kant’s and Fichte’s efforts to<br />

justify religion simply as a foundation for the moral law. This, he said,<br />

made religion a servant to narrow, time-bound strictures of right and<br />

wrong. To keep religion from being despised, Schleiermacher saw the need<br />

to portray it, not as a means to a social good, but as an end in and of itself.<br />

His solution to these problems owed an obvious debt to his Pietist roots.<br />

He defined religion not as a system of beliefs, a body of institutions, or a<br />

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