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Buddhist Romanticism

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often explicitly extolled:<br />

“As one matures in spiritual life, one becomes more comfortable<br />

with paradox, more appreciative of life’s ambiguities, its many levels<br />

and inherent conflicts. One develops a sense of life’s irony, metaphor,<br />

and humor and a capacity to embrace the whole, with its beauty and<br />

outrageousness, in the graciousness of the heart.… When we embrace<br />

life’s opposites, we hold our own birth and death, our own joy and<br />

suffering, as inseparable. We honor the sacred in both emptiness and<br />

form.”<br />

Applied to the <strong>Buddhist</strong> tradition, irony would mean maintaining that<br />

there are many paths to the goal, and that freedom is to be found, not by<br />

following any particular <strong>Buddhist</strong> path, but by standing above the confines<br />

of any path and exercising one’s freedom in being able to move lightly and<br />

easily among many.<br />

In some cases, this attitude of irony is justified from within the <strong>Buddhist</strong><br />

tradition itself by pointing to instances where the Buddha warned about<br />

attachment to views.<br />

“[F]lexibility understands that there is not just one way of practice<br />

or one fine spiritual tradition, but there are many ways. It<br />

understands that spiritual life is not about adopting any one<br />

particular philosophy or set of beliefs or teachings, that it is not a<br />

cause for taking a stand in opposition to someone else or something<br />

else. It is an easiness of heart that understands that all of the spiritual<br />

vehicles are rafts to cross the stream to freedom. In his earliest<br />

dialogue, the Buddha cautioned against confusing the raft with the<br />

shore and against adopting any rigid opinion or view. He went on,<br />

‘How could anything in this world bring conflict to a wise person<br />

who has not adopted any view?’… The flexibility of heart brings a<br />

humor to spiritual practice. It allows us to see that there are a<br />

hundred thousand skillful means of awakening, that there are times<br />

for formal and systematic ways and times for spur-of-the-moment<br />

and unusual and outrageous ones.”<br />

However, in making this argument, this passage—like many others with<br />

a similar point—misrepresents what the Buddha actually said. He drew a<br />

clear line between the role of views when one is still on the path and their<br />

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