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Buddhist Romanticism

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authentic feeling of Oneness with the divine. Even though, in their<br />

experience, this feeling was only temporary, it had intrinsic worth—so<br />

much worth, they felt, that they need not concern themselves if their<br />

pursuit of that feeling harmed other people.<br />

For example, Schlegel—speaking through Julian, his alter-ego in Lucinde<br />

—claimed that, after gaining an experience of Oneness through erotic love,<br />

he came to feel a fraternal love for all beings, and that this love inspired<br />

loving acts that had no need for rules. Thus the results of feeling One<br />

naturally led to sociable behavior. But the way he pursued that Oneness<br />

showed little concern for the effect of that pursuit on others.<br />

Especially if they were philistines. The term “philistine,” which was<br />

actually first used in Jena to refer to townspeople not affiliated with the<br />

university, by this time had come to acquire its modern meaning as “a<br />

person of no aesthetic sensibilities.” Novalis, perhaps because his<br />

bureaucratic career brought him into constant contact with many<br />

philistines, strongly defended the superiority of people who were authentic<br />

—those who could romanticize their experience and see the infinite within<br />

the finite. Thus authentic people were of more account than philistines, who<br />

by definition were not authentic; and the feelings of the authentic—because<br />

they were more sensitive—mattered more. They, in his eyes, were the<br />

natural aristocracy.<br />

Even Hölderlin, in his novel Hyperion, suggested that actions, in the long<br />

term, have no effect on the universe, and so no harm is ever really done by<br />

rash mistakes, regardless of their immediate effects. One’s quest for<br />

Oneness with the divine justified one’s actions, just as the feeling of<br />

Oneness provided solace that, despite appearances, all would be well. This<br />

attitude became conflicted in his mind after Susette’s death, but the odes<br />

and hymns he wrote during that period didn’t come to light until a century<br />

later.<br />

Thus the concept of nobility in Romantic religion was concerned, not<br />

with the effects of one’s actions on others, but with the sensitivity of one’s<br />

feelings. Duty involved no sense of honor. Instead of requiring sacrifices so<br />

as not to harm oneself or others, duty simply required pursuing, in<br />

whatever way necessary, the ultimate feeling: that of Oneness with the<br />

divine.<br />

That is the second difference.<br />

• The third difference is that, whereas the Buddha didn’t teach until he<br />

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