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Buddhist Romanticism

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naturally deepen over time. With each new experience of that unity, one<br />

feels a natural desire to express it: This desire is the origin of religious<br />

traditions and texts. But because unity is infinite, and expressions of<br />

feelings are finite, no religious tradition has the final word on how infinite<br />

unity feels. And because any expression of a feeling has to be shaped by<br />

time and place, each person is duty bound to express the feeling of infinite<br />

unity in ever-new ways. Only this can keep religion alive as cultures<br />

change.<br />

For the Dhamma, however, full, final awakening is possible in this life,<br />

and the texts cite people by the thousands who, in the Buddha’s time,<br />

confirmed this fact for themselves. Once gained, full awakening is fully<br />

understood. The Buddha, in teaching, was not interested in expressing his<br />

feelings about the infinite. Instead, his interest lay in explaining the path of<br />

action by which other people could reach nibbāna and in inducing them to<br />

follow it. Because the path is timeless—and because it has stood up to<br />

repeated testing for more than 2,600 years—there is no need to formulate it<br />

in new ways. In fact, the greatest gift one can give to other people now and<br />

into the future is to pass along knowledge of the Buddha’s path in as<br />

faithful a way as possible, so that they can test it for themselves.<br />

When we examine the way Buddhism is currently being taught in the<br />

West—and, in some cases, in Asia to people with a Western education—we<br />

find that it often sides with the Romantic position and against the Dhamma<br />

on all five of these questions. And because questions shape the structures<br />

that give concepts their meaning and purpose, the result is that modern<br />

Buddhism is Romantic in its body, and <strong>Buddhist</strong> only in its outer garb. Or<br />

to use another analogy, modern Buddhism is like a building whose<br />

structure is fully Romantic, with <strong>Buddhist</strong> elements used as decorations,<br />

reshaped to fit into the confines of that structure. This is why this trend in<br />

modern Buddhism is best referred to as <strong>Buddhist</strong> <strong>Romanticism</strong>, rather than<br />

Romantic Buddhism.<br />

From a Romantic point of view, even a structural change in the Dhamma<br />

is no serious problem, for such a change would simply fall in line with the<br />

Romantic notion that all paths of open receptivity lead to the goal, so that<br />

replacing one path with another would make no practical difference. But<br />

from the point of view of the Dhamma, the Romantic goal offers only a<br />

limited possibility of freedom. If the Romantic goal is regarded as the one<br />

and only aim of spiritual life, it stands in the way of the further goal of total<br />

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