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Buddhist Romanticism

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to create his/her own set of beliefs, but also the duty to change his/her<br />

tradition. So the tradition has no right to object to whatever those beliefs<br />

might be. Either way, the Dhamma loses out.<br />

This connects with a second irony: Although most of the scientific and<br />

philosophical underpinnings for the twenty points have since fallen away,<br />

the points themselves have continued to exert influence over Western views<br />

on religion in general, and <strong>Buddhist</strong> <strong>Romanticism</strong> in particular, to the<br />

present day. This continued influence can be explained by the fact that,<br />

regardless of how science and philosophy are currently taught in the<br />

academy, these points have gained and maintained the status of<br />

unquestioned assumptions in three areas of thought: humanistic<br />

psychology, the academic study of the history of religions, and popular<br />

writings on “perennial philosophy.” The next chapter will examine how<br />

this has happened, and how these three areas of thought have helped to<br />

create—and justify the creation of—<strong>Buddhist</strong> <strong>Romanticism</strong>.<br />

But first, to help clarify what actually does and doesn’t count as a<br />

Romantic influence on <strong>Buddhist</strong> <strong>Romanticism</strong>, it’s useful to review what<br />

the Dhamma teaches about the twenty points listed above. So here is a<br />

second list, drawn from Chapter Two, that will allow you to compare pointby-point<br />

where the Dhamma and <strong>Romanticism</strong> are similar and where they<br />

part ways. This way you will be able to recognize what is <strong>Buddhist</strong> and<br />

what is Romantic in modern <strong>Buddhist</strong> <strong>Romanticism</strong>.<br />

These two lists diverge at the outset. They differ on the purpose of<br />

religion, the nature of the universe, and the place of the individual within<br />

the universe. Because these first three points are basic to the Romantic<br />

program, this means that the Dhamma and the Romantic program part<br />

ways from the ground up. However, it’s also important to note that they<br />

contain similarities in some of the more derivative points—similarities that<br />

have allowed for Dhamma and the Romantic program to become confused<br />

with each other.<br />

On the object of the Dhamma:<br />

1) The object of the Dhamma is not the relationship of humanity with the<br />

universe, but the end of suffering and stress (§2). To focus on defining the<br />

place of humanity in the universe is to think in terms of becoming, which<br />

actually gets in the way of ending suffering and stress.<br />

180

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