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100 <strong>AEMI</strong> JOURNAL 2015<br />

ing judgment and so there would often<br />

be disappointment when the picture of<br />

the dream clashed with the «misgivings»<br />

overseas.<br />

The picture Washington crossing the<br />

Delaware is an example of how early<br />

this development began. The event it<br />

depicts took place in the night of 25<br />

December 1776. Our interest here is<br />

in who painted the picture, where it<br />

was painted, and who were the people<br />

for whom it was first painted. The artist<br />

was Emmanuel Leutze, a German who<br />

in 1825 came over to America as a boy<br />

with his parents. In 1841 he went back<br />

to Düsseldorf to study art and painting,<br />

and in 1849 he painted this picture. So<br />

in fact it shows not the Delaware River<br />

but the Rhine at Düsseldorf. He painted<br />

this example of endurance as a stimulus<br />

and encouragement for the German<br />

revolutionists of 1848, whose failure became<br />

obvious in those days. The success<br />

of the painting in the USA came later<br />

in 1851. 4<br />

But this is only aside. Let us return to<br />

North-Frisia again. Returning migrants<br />

generally came back as American citizens;<br />

as a free person, subject to no one.<br />

Self-conscious and protected by their<br />

citizenship papers and the American<br />

consuls, these visitors always appeared<br />

suspicious to the police and were often<br />

a thorn in the flesh of the Prussian military<br />

authorities, which could be very officious<br />

in their dealing with young men.<br />

As a consequence such visitors had to<br />

be controlled and out of this originate<br />

between 1867 and 1918 the records regarding<br />

the supervision of emigrants,<br />

who stayed in Schleswig-Holstein as<br />

U.S. citizens. Now these documents are<br />

in the State Archives in Schleswig and<br />

they are an interesting and very informative<br />

source (Pauseback, Aufbruch, 64-<br />

74).<br />

In the second half on the 19th century<br />

the longing for freedom joined<br />

with the hope for prosperity and together<br />

they formed that mighty magnet<br />

that pulled millions of men, women and<br />

children into the New World. Like a little<br />

piece of this big dream the returned<br />

migrant symbolized all the longings and<br />

wishes of the ones who stayed behind<br />

and his example ‘magnetized’ many of<br />

them who came in touch with him.<br />

And so the suspicions of the authorities<br />

were not altogether without foundation,<br />

as we learn from the article in the Husumer<br />

weekly newspaper:<br />

The American – yes he once had been a<br />

poor fellow too in Germany … but he<br />

had been courageous enough and had<br />

gone to America and now he is a prosperous<br />

man. And the poor fellow here,<br />

who hardly ever has a few cents to spare,<br />

how will the prospect rejoice his heart,<br />

when he thinks about all the dollars he<br />

will own overseas, and imagines himself<br />

wearing a grey hat and a blue coat with<br />

red lining – like the American. 5<br />

Efforts of the authorities to curb emigration<br />

had little effect, because official<br />

warnings or statements were generally<br />

distrusted and rejected by the common<br />

people. Their sources of information<br />

were the many letters, which went from<br />

hand to hand. Sometimes they were<br />

published in the local newspapers too<br />

and got additional publicity that way.<br />

At the beginning of travel to America<br />

and to West- or East India most of<br />

them who left returned, if they had been

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