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126 <strong>AEMI</strong> JOURNAL 2015<br />

Image Emigration Museums: Auswanderer Haus Ballinstadt<br />

success in this initiative. 60<br />

From Antiquity, the Silk Road was a<br />

key route between China and the Mediterranean<br />

that not only promoted trade<br />

it also formed a cultural bridge between<br />

China, India, Persia, Greece and Rome.<br />

The rebirth of the Indian ‘cotton route’<br />

and China ‘maritime silk route’ are it<br />

seems to be undertaken chiefly in an attempt<br />

to restore these earlier trade linkages<br />

in the hope they will again facilitate<br />

the potential exploitation of trade and investment<br />

they did in the past when they<br />

were still dominated by the ‘Nations’ and<br />

‘States’ of the Indian Ocean Region.<br />

Another distinctive turn of events<br />

related to European mobility is taking<br />

place in Europe. Driven mainly by<br />

Greece it is characterised by that country’s<br />

repeated requests to relevant European<br />

States but particularly Britain to<br />

return their ‘plundered heritage’. I refer<br />

here specifically to the Elgin Marbles61<br />

that Greece claims the UK took without<br />

consent.62 This and similar stories<br />

prompted travel photographer and storyteller<br />

Raphael Alexander Zoren to ask<br />

‘Who owns antiquity’? 63 In his essay on<br />

this topic he notes further that: “If recent<br />

and ancient history is to believed, the<br />

owners of antiquity are First-World Museums<br />

that exist merely because they have<br />

looted invaluable relics from developing<br />

countries in wars, contraband or simply<br />

using treaties and laws that were signed<br />

by corrupt officials who sold out their<br />

own heritage”. Although the situation in<br />

all its complexity is of beyond the scope

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