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126 <strong>AEMI</strong> JOURNAL 2015<br />
Image Emigration Museums: Auswanderer Haus Ballinstadt<br />
success in this initiative. 60<br />
From Antiquity, the Silk Road was a<br />
key route between China and the Mediterranean<br />
that not only promoted trade<br />
it also formed a cultural bridge between<br />
China, India, Persia, Greece and Rome.<br />
The rebirth of the Indian ‘cotton route’<br />
and China ‘maritime silk route’ are it<br />
seems to be undertaken chiefly in an attempt<br />
to restore these earlier trade linkages<br />
in the hope they will again facilitate<br />
the potential exploitation of trade and investment<br />
they did in the past when they<br />
were still dominated by the ‘Nations’ and<br />
‘States’ of the Indian Ocean Region.<br />
Another distinctive turn of events<br />
related to European mobility is taking<br />
place in Europe. Driven mainly by<br />
Greece it is characterised by that country’s<br />
repeated requests to relevant European<br />
States but particularly Britain to<br />
return their ‘plundered heritage’. I refer<br />
here specifically to the Elgin Marbles61<br />
that Greece claims the UK took without<br />
consent.62 This and similar stories<br />
prompted travel photographer and storyteller<br />
Raphael Alexander Zoren to ask<br />
‘Who owns antiquity’? 63 In his essay on<br />
this topic he notes further that: “If recent<br />
and ancient history is to believed, the<br />
owners of antiquity are First-World Museums<br />
that exist merely because they have<br />
looted invaluable relics from developing<br />
countries in wars, contraband or simply<br />
using treaties and laws that were signed<br />
by corrupt officials who sold out their<br />
own heritage”. Although the situation in<br />
all its complexity is of beyond the scope