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ELISA GOSSO<br />

References<br />

Barth F., Introduction, in Barth F. (ed.) Ethnic groups<br />

and boundaries. The social organization of culture<br />

difference, Oslo, Universitetsforlaget, 1969: 9-38.<br />

Che D., Reinventing Tulip Time: Evolving Diasporic<br />

Dutch Heritage Celebration in Holland (Michigan),<br />

in Coles T., Timothy D. J. (ed.), Tourism, Diasporas<br />

and Space, London-New York, Routledge,<br />

2004: 261-77.<br />

Cohen R., Global Diaspora: An Introduction, London-New<br />

York, Routledge, 2008.<br />

De Lange A., Schneider M., Tron D., Desel J., Köhler<br />

B., Ehmer H., Langner B. (eds.), Dreihundert<br />

Jahre Waldenser in Deutschland 1699-1999: Herkunft<br />

und Geschichte, Karlsruhe, Evangelischer<br />

Pressverband für Baden, 1999.<br />

Duval T. D., Conceptualizing Return Visits: A Transnational<br />

Perspective, in Coles T., Timothy D. J. (eds.),<br />

Tourism, Diasporas and Space, London-New<br />

York, Routledge, 2004: 50-61.<br />

Geymonat R., El templo y la escuela. Los valdenses en el<br />

Uruguay, Montevideo, OBSUR, 1994.<br />

Gosso E., Il passato è una valle straniera. Continuità<br />

e discontinuità nei processi di patrimonializzazione<br />

fra le valli valdesi e i contesti valdesi transnazionali,<br />

in Porcellana V., Gretter A., Zanini R. C. (eds.),<br />

Alpi in mutamento. Continuità e discontinuità nella<br />

trasmissione delle risorse in area alpina, Alessandria,<br />

Edizioni dell’Orso, 2015: 35-56.<br />

Köhler B., Dreihundert Jahre Waldenserkolonie Rohrbach-Wembach-Hahn:<br />

Herkunft und Geschichte<br />

ihrer Bewohner, Ober-Ramstadt, Verein für Heimatgeschichte<br />

e.V., 1999.<br />

Lowenthal D., The Past is a Foreign Country, Cambridge,<br />

Cambridge University Press, 1985.<br />

Lowenthal D., The Heritage Crusade and the Spoils of<br />

History, Cambridge, Cambridge University Press,<br />

1998.<br />

Peyrot B., La roccia dove Dio chiama. Viaggio nella memoria<br />

valdese fra oralità e scrittura, Sala Bolognese,<br />

Arnaldo Forni Editore, 1990.<br />

Timothy D. J., Genealogical Mobility: Tourism and<br />

the Search for a Personal Past, in Timothy D. J.,<br />

Guelke J. (eds.), Geography and Genealogy. Locating<br />

Personal Pasts, Aldershot, Ashgate, 2008:<br />

115-135.<br />

Tourn G., The Waldensians. The first 800 years (1174-<br />

1974), Turin, Claudiana, 1980.<br />

Tuan Y. F., Topophilia: A Study of Environmental Perception,<br />

Attitudes and Values, Englewood Cliffs,<br />

Prentice Hall, 1974.<br />

Watts G. B., The Waldenses in the New World, Durham,<br />

Duke University Press, 1941.<br />

209<br />

Notes<br />

1 Doctorate in Psychological, Anthropological and<br />

Educational Sciences, Doctoral School in Human<br />

and Social Sciences, University of Turin.<br />

2 Ethnographic fieldwork was conducted in the<br />

Waldensian community of Rohrbach-Wembach-Hahn<br />

in Germany, the Waldensian Presbyterian<br />

Church of Valdese, North Carolina, USA,<br />

the Cardon Families Organization of the United<br />

States and the Waldensian Church of the River<br />

Plate in Uruguay and Argentina (Gosso 2015). In<br />

this paper I focus on the case of Rohrbach-Wembach-Hahn.<br />

3 Web site: http://www.waldenser.de.<br />

4 It is the confirmation of the baptism received from<br />

children, that establishes the entry into the community<br />

of the church members.<br />

5 The motto of the village, written on a bronze<br />

plaque situated in the central square of Rohrbach,<br />

declaims: Den Vätern zum treuen Gedenken, den<br />

Kindern zur steten Erinnerung, that means ‘To the<br />

Fathers, for a faithful thought. To the Children,<br />

for a constant memory’.<br />

6 A lighted candelabrum surrounded by seven stars<br />

with the motto Lux lucet in tenebris, ‘Light shines<br />

in the darkness’.<br />

7 The costume consists of an ankle-length dress,<br />

usually dark blue, black or purple. Around the<br />

waist a silky and colored apron is tied with long<br />

ribbons. On the shoulders it is used to wear a<br />

white or black shawl, with long fringes and floral<br />

embroidery on the back. The most characteristic<br />

element of the Waldensian costume is the precious<br />

bonnet, usually white for adults and black for the<br />

girls who are not yet confirmed.<br />

8 In Barth’s analysis, ‘diacritics’ are parameters that<br />

the members of a group develop in order to found<br />

a feeling of internal unity and to distinguish from<br />

the others.

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