7th World Congress on Mummy Studies University of San Diego San ...
7th World Congress on Mummy Studies University of San Diego San ...
7th World Congress on Mummy Studies University of San Diego San ...
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ABSTRACTS.–.Symposia<br />
and.Treatment.Center,.Fluorescence.Microscopy.Facility,.<strong>University</strong>.<br />
<strong>of</strong>. New. Mexico,. Albuquerque,. NM;. 6 Tricore. Laboratories,.<br />
Albuquerque,.NM;. 7 L<strong>on</strong>g.Island.<strong>University</strong>.Greenvale,.NY;.ottoarun12@aol.com).<br />
Identificati<strong>on</strong>. <strong>of</strong>. mummified. tissues. presents. great. difficulties;.their.appearance.having.been.altered.by.taph<strong>on</strong>omic.changes,.<br />
trauma.and.climatic.influences.over.millennia.<br />
Here. we. describe. a. multimodal. analysis. <strong>of</strong>. tissue. obtained.<br />
n<strong>on</strong>-invasively,.through.an.existing.hole.in.the.skull.<strong>of</strong>.an.Egyptian.<br />
mummified.child’s.head.<br />
We. used. histological. secti<strong>on</strong>s. with. special. stains. and. comparis<strong>on</strong>s.with.c<strong>on</strong>temporaneous.tissues,.c<strong>on</strong>focal.microscopy-aut<strong>of</strong>luorescence.<br />
and. scanning. electr<strong>on</strong>. microscopy,. X-ray. analysis.<br />
using.wavelength.dispersive.spectrometers.equipped.with.layered.<br />
synthetic.crystals.optimized.for.light.elements.to.quantize.Al,.C,.<br />
Ca,.Cl,.Fe,.K,.Mg,.Na,.O,.P,.S,.and.Si.as.well.as.statistical.analyses.<br />
including.fractals..We.found.that.the.piece.was.composed.<strong>of</strong>.resin.<br />
which.c<strong>on</strong>tained.significantly.higher.levels.<strong>of</strong>.C.and.other.biologic.<br />
material,.most.likely.dura.mater.<br />
Plant. resin. used. in. ancient. Egypt. for. embalming. is. a. proxy.<br />
for. atmospheric. CO 2 ,. climate. and. <strong>of</strong>. tree. growth. rate.. Thus.<br />
Egyptian. embalmers. intenti<strong>on</strong>ally. preserved. the. body. but. unwittingly.left.a.climate.record.which.could.be.<strong>of</strong>.interest.to.modern.<br />
climate-modelers.<br />
108 The Lanzarote and Fuerteventura Prehispanic Populati<strong>on</strong>,<br />
Canary Islands, Spain, CONRADO RODRíGUEz MARTíN 1 *,<br />
PABLO ATOCHE 2 , and ANGELES RAMíREz 2 ( 1 Instituto.<br />
Canario. de. Bioantropologia. (OAMC-Cabildo. de. Tenerife);. 2 Universidad.de.Las.Palmas.de.Gran.Canaria;.crodriguez@museosdetenerife.org).This.paper.is.devoted.to.the.physical.anthropological.characteristics.and.pathological.features.<strong>of</strong>.the.protohistoric.(Prehispanic).<br />
populati<strong>on</strong>s.<strong>of</strong>.Lanzarote.and.Fuerteventura,.both.bel<strong>on</strong>ging.to.the.<br />
Canarian.Archipelago.(Spain),.located.in.the.Atlantoic.Ocean.closest.to.the.northwest.shore.<strong>of</strong>.Africa..Besides.a.comparative.study.<br />
between.both.islands,.the.main.goal.<strong>of</strong>.this.study.is.to.advance.the.<br />
knowledge. <strong>of</strong>. the. populati<strong>on</strong>. groups. in. these. islands. before. the.<br />
European. C<strong>on</strong>quest. (15 th . century.AD),. especially. their. bioadaptability.to.the.islands’.envir<strong>on</strong>ments.<br />
Please.note:.This.paper.is.included.in.the.Project.Canarias: Col<strong>on</strong>ización<br />
Humana Protohistórica, Bioadaptación Insular y Transformación Medioambiental.(Ministerio<br />
de Ciencia e Innovación, HAR20009-08519).<br />
Music and the Sciences:<br />
Synergies Am<strong>on</strong>g Musical Arts,<br />
Math, Science, and Engineering<br />
Tuesday, starting at 1:15 p.m. in KIPJ Room F<br />
109 Music, Expectati<strong>on</strong>, and Informati<strong>on</strong> Theory, GARETH LOy<br />
(POB.151185,.<strong>San</strong>.Rafael,.CA.94915;.dgl@GarethInc.com).<br />
When.is.music.successful?.Taking.a.Darwinian.view,.music.<br />
is.successful.if.listeners.attend.to.it,.which.they.do.if.they.find.it.<br />
sufficiently. interesting.. Listeners. reward. successful. music. with.<br />
interest.based.<strong>on</strong>.how.well.it.sustains.their.ordinarily.quite.fleeting.<br />
attenti<strong>on</strong>..Attenti<strong>on</strong>.is.sustained.by.manipulating.the.expectati<strong>on</strong>s.<br />
<strong>of</strong>.the.listener..Expectati<strong>on</strong>.is.an.anticipatory.belief.that.ranges.from.<br />
certainty.to.uncertainty..The.perspective.thus.articulated.allows.for.<br />
86<br />
the.questi<strong>on</strong>.<strong>of</strong>.when.is.music.successful.to.be.studied.via.the.informati<strong>on</strong>.<br />
theory. <strong>of</strong>. Shann<strong>on</strong>. and.Weaver..The. thesis. <strong>of</strong>. this. talk. is.<br />
that.informati<strong>on</strong>.theory.can.c<strong>on</strong>tribute.to.a.theory.<strong>of</strong>.musical.expectati<strong>on</strong>,.meaning,.and.emoti<strong>on</strong>.in.music..This.presentati<strong>on</strong>.introduces.key.ideas.<strong>of</strong>.informati<strong>on</strong>.theory.and.points.in.the.directi<strong>on</strong>.<strong>of</strong>.a.theory.<strong>of</strong>.musical.expectati<strong>on</strong>.<br />
110 Restorati<strong>on</strong> <strong>of</strong> Musical Meter from Memory: How We Represent<br />
Musical Styles? SARAH C. CREEL (Department. <strong>of</strong>. Cognitive.Science,.UC.<strong>San</strong>.<strong>Diego</strong>,.9500.Gilman.Drive,.La.Jolla,.CA.<br />
92093-0515;.creel@cogsci.ucsd.edu).<br />
What.happens.in.the.mind.when.a.listener.hears.a.tune?.Recent.<br />
work.suggests.that.listeners.activate.detailed.memory.representati<strong>on</strong>s.<br />
<strong>of</strong>. previous. hearings. <strong>of</strong>. that. tune.. For. instance,. if. <strong>on</strong>e. has.<br />
heard.a.melody.previously.in.a.3/4.meter,.the.isolated.melody.yields.<br />
a.percept.<strong>of</strong>.3/4.meter..The.current.study.explores.how.such.melody-specific.memories.might.build.up.to.representati<strong>on</strong>s.<strong>of</strong>.musical.<br />
style—specifically,. whether. listeners. integrate. meter. (event. rate).<br />
and.timbre.(t<strong>on</strong>e.quality).in.style-specific.representati<strong>on</strong>s.<br />
In.several.different.experiments.(108.listeners.total),.each.listener.<br />
was. exposed. to. 12. melodies.. Half. each. occurred. in. <strong>on</strong>e. <strong>of</strong>.<br />
two.artificial.musical.“styles,”.each.with.a.characteristic.meter.(3/4,.<br />
6/8). and. timbre. (French. horn,. saxoph<strong>on</strong>e).. During. the. exposure.<br />
phase,.additi<strong>on</strong>al.musical.instruments.heard.with.the.melodies.provided.clear.metrical.informati<strong>on</strong>..After.hearing.each.melody.several.times,.listeners.heard.isolated.melodies.followed.by.metrical.c<strong>on</strong>tinuati<strong>on</strong>s..Ratings.<strong>of</strong>.metrical.c<strong>on</strong>tinuati<strong>on</strong>s.suggested.that.listeners’.percepti<strong>on</strong>s.<strong>of</strong>.meter.were.shaped.by.their.listening.exposure..<br />
Meter.percepts.were.limited.to.the.original.instrumental.timbre.as.<br />
l<strong>on</strong>g.as.meter-timbre.pairings.were.c<strong>on</strong>sistent.(horn.always.played.<br />
in.3/4,.saxoph<strong>on</strong>e.in.6/8)..Meter.percepts.generalized.across.timbre.<br />
when.meter-timbre.pairings.were.inc<strong>on</strong>sistent.(e.g..horn.and.saxoph<strong>on</strong>e.were.equally.likely.to.play.in.3/4.or.6/8).<br />
These. data. suggest. that,. when. musical. features. (timbre. and.<br />
meter).are.c<strong>on</strong>sistently.linked,.listeners.represent.them.integrally,.<br />
influencing. processing. <strong>of</strong>. a. basic. aspect. <strong>of</strong>. musical. experience.<br />
(meter)..This.suggests.a.basis.for.acquisiti<strong>on</strong>.<strong>of</strong>.style-specific.musical.expectati<strong>on</strong>s.<br />
111 A Seventeenth-Century Mathematical History <strong>of</strong> Tuning the<br />
Musical Scale, JOHN F. BUKOWSKI.(Department.<strong>of</strong>.Mathematics,.<br />
Juniata. College,. 1700. Moore. Street,. Huntingd<strong>on</strong>,. PA. 16652;.<br />
bukowski@juniata.edu).<br />
The.tuning.<strong>of</strong>.the.intervals.in.the.musical.scale.has.a.l<strong>on</strong>g.history.dating.back.to.the.Pythagoreans..Several.seventeenth-century.<br />
mathematicians.proposed.ways.<strong>of</strong>.resolving.the.inherent.difficulties.<br />
in.tuning.the.musical.scale..<br />
We. will. discuss. the. methods. proposed. by. Sim<strong>on</strong>. Stevin,. Marin.<br />
Mersenne,.and.Christiaan.Huygens,.and.we.will.discuss.in.detail.<br />
how.Huygens.used.logarithms.to.divide.the.octave.into.a.31-t<strong>on</strong>e.<br />
scale..We.will.then.compare.his.tuning.to.other.tunings.<strong>of</strong>.the.scale.<br />
112 Generati<strong>on</strong> and Analysis <strong>of</strong> Heptat<strong>on</strong>ic Harm<strong>on</strong>ic Scales,.<br />
JOHN H. CHALMERS.(Geosciences.Research.Divisi<strong>on</strong>,.Scripps.<br />
Institute. <strong>of</strong>. Oceanography,. <strong>University</strong>. <strong>of</strong>. California,. <strong>San</strong>. <strong>Diego</strong>,.<br />
9500.Gilman.Drive,.La.Jolla,.CA.92038;.jhchalmers@ucsd.edu)..<br />
Harm<strong>on</strong>ic.scales.are.composed.<strong>of</strong>.Prime.(generalized.major).<br />
and.C<strong>on</strong>jugate.(generalized.minor).triads.such.that.every.note.is.a.<br />
member.<strong>of</strong>.at.least.<strong>on</strong>e.triad.and.all.the.triads.are.c<strong>on</strong>nected.by.comm<strong>on</strong>.t<strong>on</strong>es..There.are.52.species.<strong>of</strong>.such.scales.with.seven.t<strong>on</strong>es,.