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O’Toole Fintan (2006). Dismantling the Barriers to Participation in Cultural Life. National<br />
Disability Authority. 5th National Research Conference. Dublin 16th November 2006.<br />
Accessed at:<br />
http://www.nda.ie/CntMgmtNew.nsf/dcc524b4546adb3080256c700071b049/5A19C972AF5A7B93<br />
802571E60052A06B/$File/3_fintan_otoole.htm<br />
This paper is an argumentation on the importance of seeing cultural participation as something<br />
broader than just attending a play in a theatre. Culture is considered as part of what it means to be<br />
human and therefore exclusion from it translates into exclusion from participation in human, social<br />
land civic life. As the author says: “If you do not have the capacity to participate in cultural life, you<br />
are ipso facto being defined socially as outside the social community”.<br />
The second part of this paper explores the issue of the barriers to cultural participation and the<br />
importance of trying to break these down in order to guarantee the cultural, and therefore civic,<br />
rights of a considerable proportion of the population.<br />
The paper opens with an attempt to define culture in order to explain what can be considered as<br />
cultural participation. Given that ‘culture’ can refer to everything that is not natural it can be said<br />
that Culture is critically and fundamentally about the way in which we interact with everything that<br />
is not ourselves. It therefore includes all of those things which we can categorise as human<br />
achievements.<br />
The second basic assumption for this paper is that culture is a field in which there is continuity<br />
between what we think of in the narrow definitions of culture and many other critical human<br />
creations on the other, including politics, the notion of human rights, and our history and progress<br />
as a species. Cultural participation is therefore considered as something strongly attached to our<br />
humanity and to our rights as humans.<br />
For the author, if culture includes all of the creations of humanity, if it includes this continuity of the<br />
process of human exploration and development, then exclusion from culture is about exclusion<br />
from full participation in what it means to be truly human.<br />
The author refers to the report from the National Endowment for the Arts in the United States on<br />
the relationship between people’s participation in the arts on the one side and people’s<br />
participation in public life on the other as an evidence of a strong correlation between participation<br />
in artistic activity and participation in social and political communities. So if cultural participation is<br />
related to civic participation that means that being incapable of participating in cultural life is like<br />
being implicitly defined as a non-citizen.<br />
In this context the author tries to address the question of barriers to cultural participation. The<br />
barriers to cultural participation includes three main categories: physical exclusion, cultural<br />
exclusion in terms of culturally created images (our present culture continues to produce imagery<br />
which is extremely hostile to people with disabilities), and the broader issue of social exclusion<br />
which certainly includes people with disabilities but is not confined to them.<br />
For the author there is an interesting dialogue to be had with the disability movement on the one<br />
side, and those who are more broadly concerned with cultural participation on the other because<br />
there is a very strong link between the exclusion of people with disabilities from cultural<br />
participation and the broader sense of social and cultural exclusion.<br />
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