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Foreword How do we accurately measure the wide range of cultural practices around the world? How has the digital age impacted cultural participation in society? How often do people in a specific country attend a music festival or go to the cinema? How do communities interact culturally? These are the kinds of questions that can be answered through cultural participation surveys. This handbook is a resource for organizations interested in measuring cultural participation, as well as a tool for raising awareness among policymakers. To this end, Measuring Cultural Participation combines theoretical and practical aspects of methodology. This is a challenging undertaking – even more so considering the wide range of data available, research undertaken and the complexity involved in defining ‘cultural participation’ for national statistical systems and policies across the world. This handbook is part of a series designed to facilitate the implementation of the 2009 UNESCO Framework for Cultural Statistics (FCS), which defined the standard definitions and framework for cultural statistics. By presenting current methodologies and key topics related to the measurement of cultural domains, the handbooks can assist Member States to develop cultural statistics in their countries. In particular, this publication presents current trends in the measurement of cultural participation, based on the concepts and definitions of the UNESCO Framework. The underlying concept is that comparison should not generate a reductionist vision of the phenomena but, on the contrary, lead towards a deeper understanding of cultural participation and what it involves. The handbook mainly emphasises quantitative approaches to link measurement with understanding. Through this series of handbooks, the UNESCO Institute for Statistics (UIS) seeks to promote a better understanding of cultural practices by providing relevant tools to its Member States. - iii - Hendrik van der Pol Director UNESCO Institute for Statistics
Acknowledments The handbbook is based on a commissioned report prepared by Alessandro Bollo, Luca Dal Pozzolo, Elena Di Federico and Christopher Gordon of the Fondazione Fitzcarraldo Onius. A substantial rewrite and editing of the handbook was subsequently carried out by Simon Ellis. José Pessoa and Lydia Deloumeaux (UIS) provided overall guidance in the preparation of this work. The UIS would like to thank those who provided their comments and especially members of the peer review group for their valuable inputs. - iv -
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� Cultural expenditure: typically
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While audience and visitor surveys
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The Living Standards Measurement Su
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Cultural considerations themselves
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3.3.3 Timing, frequency and period
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In developed countries, it is custo
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A. PURPOSE B. INDICATORS C. SAMPLE
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Active participation through volunt
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paid to re-shaping the definition o
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4.2 What makes a good cultural part
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In many cases, when cultural differ
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Last access to links: 5 September 2
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Eurostat (2008). The Life of Women
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UNESCO-UIS (2006). Guidelines for M
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UNESCO (2001). Universal Declaratio
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Ogrodnik, L. Patterns in Culture Co
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Patterns in Culture Consumption and
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Cultural Experience Survey 2002 (Ne
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Encuesta Nacional de Prácticas y C
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A profile of the cultural and herit
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Culture and the Arts Survey, Greate
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Survey on Time Use and Leisure Acti
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attendance. Notes The SPPA surveys
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Latinobarómetro (Latin America, 19
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O hábito de lazer cultural do bras
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CEI2010: Philadelphia Cultural enga
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Cultural Statistics Eurostat 2011 (
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emotional, socio-cultural, politica
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After discussing these relationship
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This monograph has specific and con
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National Endowment for the Arts (20
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One last topic mentioned in this pa
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Chapter 2 “Trends in Arts Educati
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framework cultural statistics attem
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National Endowment for the Arts (20
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Novak-Leonard, Jennifer L. and Alan
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