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Figure 1. Cultural values and identity<br />
Source: Brown, 2004.<br />
For measurement and analysis, it is crucial to acknowledge that cultural participation is a<br />
conscious act. According to the Leadership Group Culture (LEG) on cultural statistics, “there is<br />
participation in cultural activities when in any context and through any channel, with a shared<br />
general code of communication, we have senders and receivers paying much attention to forms<br />
and contents of messages to increase their own informational and cultural baggage” (Eurostat,<br />
2000). Passing a monument by chance while window shopping, for instance, cannot be<br />
considered a conscious act of cultural participation (the person is not “paying much attention” to<br />
the cultural “message” conveyed by the historical monument “to increase her/his own cultural<br />
baggage”). The element of awareness has gained importance in the past few years, with the<br />
diffusion of new forms of “unintentional” consumption fostered by new technologies (see<br />
Chapter 2.2.2). Moving forward from the LEG definition of 2000, the 2011 report of the ESSnet,<br />
a European Union-wide review and update of the LEG project, has adopted the so-called ICET<br />
model which acknowledges four forms of cultural participation:<br />
• Information: to seek, collect and spread information on culture;<br />
• Communication and community: to interact with others on cultural issues and to<br />
participate in cultural networks;<br />
• Enjoyment and expression: to enjoy exhibitions, art performances and other forms of<br />
cultural expression, to practice the arts for leisure, and to create online content; and<br />
• Transaction: to buy art and to buy or reserve tickets for shows.<br />
(ESSnet, 2011:203)<br />
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