STATE OF THE WORLD'S CITIES 2012/2013 Prosperity
STATE OF THE WORLD'S CITIES 2012/2013 Prosperity
STATE OF THE WORLD'S CITIES 2012/2013 Prosperity
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Chapter 3.2<br />
Innovating to Support<br />
the Transition to the<br />
City of the 21st Century<br />
Cities have played a major role in creativity and innovation<br />
throughout history. Creative people and systems,<br />
innovative milieus, knowledge creation mechanisms,<br />
and new technological developments have all primarily<br />
happened in cities and all contributed to societal<br />
development and prosperity.<br />
Creativity and innovation involve a variety of areas<br />
that range from technology, institutions and organizations,<br />
modes of operation, information and knowledge, finance<br />
and human development. Innovation can also take a<br />
variety of forms, including improved project design and<br />
quality, changes in organization and management, higher<br />
efficiency, high- and medium-tech industrial development,<br />
creation of new linkages and coordination mechanisms,<br />
scientific research and<br />
the commercialisation<br />
of technical knowledge. 1<br />
This goes to show that, to<br />
a large extent, creativity<br />
and innovation are already<br />
embedded in economic<br />
functions and under<br />
the control of financial<br />
capital. 2 Creativity and<br />
FACT innovation<br />
can flourish in many<br />
other areas that do<br />
not automatically<br />
contribute to economic<br />
development per se<br />
such as developing and<br />
In technologies<br />
managing urban life,<br />
and the arts alike,<br />
the renewal of social<br />
institutions, better urban innovation is increasingly<br />
policies, development of dominated by the private<br />
knowledge networks, etc. sector.<br />
103<br />
Creativity and<br />
innovation are largely<br />
influenced by six main<br />
types of factors: (1)<br />
locational advantages<br />
(i.e., economies of<br />
agglomeration and<br />
‘positive externalities’<br />
at regional scale); (2)<br />
knowledge networks; (3)<br />
cultural factors; (4) the<br />
economic environment;<br />
(5) organizational factors; and (6) state/government<br />
interventions (i.e., policies, incentives, institutions).<br />
‘Innovation’, as glorified in association with ‘creative<br />
cities’, the ‘creative class’ and ‘city competition’, more often<br />
than not is in the sole benefit of business and economic<br />
elites, 4 and it fails to integrate the various dimensions<br />
of prosperity, particularly equitable development and<br />
environmental sustainability.<br />
Innovation is a creative capital that is brought to bear<br />
on various dimensions of development and prosperity,<br />
in the process unleashing undeveloped potential and<br />
making fuller use of local resources and assets. The<br />
culture of creativity must be embedded in the way<br />
cities operate. 6 Therefore, it is not just for government<br />
or business, but also<br />
for communities and<br />
the public at large to<br />
Innovation, as<br />
contribute their own FACT defined in this<br />
powers of imagination.<br />
Report, is a broader<br />
notion that has to do<br />
And this has to be not just<br />
with creative approaches<br />
encouraged but legitimised<br />
to planning, economy,<br />
as well, in a bid to broaden social inclusion,<br />
the range of solutions to<br />
environment, culture and<br />
urban issues.<br />
local identity. 5<br />
The cities<br />
POLICy and countries<br />
best placed for economic<br />
growth and prosperity are<br />
those that invest in building<br />
knowledge and innovation<br />
institutions and related<br />
systems with strong support<br />
from public authorities and<br />
the private sector. 3