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STATE OF THE WORLD'S CITIES 2012/2013 Prosperity

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Chapter 3.2<br />

Innovating to Support<br />

the Transition to the<br />

City of the 21st Century<br />

Cities have played a major role in creativity and innovation<br />

throughout history. Creative people and systems,<br />

innovative milieus, knowledge creation mechanisms,<br />

and new technological developments have all primarily<br />

happened in cities and all contributed to societal<br />

development and prosperity.<br />

Creativity and innovation involve a variety of areas<br />

that range from technology, institutions and organizations,<br />

modes of operation, information and knowledge, finance<br />

and human development. Innovation can also take a<br />

variety of forms, including improved project design and<br />

quality, changes in organization and management, higher<br />

efficiency, high- and medium-tech industrial development,<br />

creation of new linkages and coordination mechanisms,<br />

scientific research and<br />

the commercialisation<br />

of technical knowledge. 1<br />

This goes to show that, to<br />

a large extent, creativity<br />

and innovation are already<br />

embedded in economic<br />

functions and under<br />

the control of financial<br />

capital. 2 Creativity and<br />

FACT innovation<br />

can flourish in many<br />

other areas that do<br />

not automatically<br />

contribute to economic<br />

development per se<br />

such as developing and<br />

In technologies<br />

managing urban life,<br />

and the arts alike,<br />

the renewal of social<br />

institutions, better urban innovation is increasingly<br />

policies, development of dominated by the private<br />

knowledge networks, etc. sector.<br />

103<br />

Creativity and<br />

innovation are largely<br />

influenced by six main<br />

types of factors: (1)<br />

locational advantages<br />

(i.e., economies of<br />

agglomeration and<br />

‘positive externalities’<br />

at regional scale); (2)<br />

knowledge networks; (3)<br />

cultural factors; (4) the<br />

economic environment;<br />

(5) organizational factors; and (6) state/government<br />

interventions (i.e., policies, incentives, institutions).<br />

‘Innovation’, as glorified in association with ‘creative<br />

cities’, the ‘creative class’ and ‘city competition’, more often<br />

than not is in the sole benefit of business and economic<br />

elites, 4 and it fails to integrate the various dimensions<br />

of prosperity, particularly equitable development and<br />

environmental sustainability.<br />

Innovation is a creative capital that is brought to bear<br />

on various dimensions of development and prosperity,<br />

in the process unleashing undeveloped potential and<br />

making fuller use of local resources and assets. The<br />

culture of creativity must be embedded in the way<br />

cities operate. 6 Therefore, it is not just for government<br />

or business, but also<br />

for communities and<br />

the public at large to<br />

Innovation, as<br />

contribute their own FACT defined in this<br />

powers of imagination.<br />

Report, is a broader<br />

notion that has to do<br />

And this has to be not just<br />

with creative approaches<br />

encouraged but legitimised<br />

to planning, economy,<br />

as well, in a bid to broaden social inclusion,<br />

the range of solutions to<br />

environment, culture and<br />

urban issues.<br />

local identity. 5<br />

The cities<br />

POLICy and countries<br />

best placed for economic<br />

growth and prosperity are<br />

those that invest in building<br />

knowledge and innovation<br />

institutions and related<br />

systems with strong support<br />

from public authorities and<br />

the private sector. 3

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