framework for the implementation of a virtual design studio model in ...
framework for the implementation of a virtual design studio model in ...
framework for the implementation of a virtual design studio model in ...
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Also <strong>the</strong> variation <strong>of</strong> <strong>the</strong> <strong>model</strong> nature and lecturers from different<br />
background were <strong>in</strong>volved <strong>in</strong> provid<strong>in</strong>g <strong>the</strong>ir experiences.<br />
5.15 Cardiff Chimera Case Study Analysis<br />
Introduction<br />
This study aims at identify<strong>in</strong>g <strong>the</strong> usefulness and effectiveness <strong>of</strong><br />
promot<strong>in</strong>g skills such as creativity and collaboration <strong>in</strong> <strong>design</strong> education.<br />
It also aimed at understand<strong>in</strong>g <strong>the</strong> potential use <strong>of</strong> tools to support<br />
creativity and collaboration <strong>in</strong> <strong>design</strong> education.<br />
Participants<br />
Staff Pr<strong>of</strong>iles<br />
This case well illustrates <strong>the</strong> variety <strong>of</strong> academic backgrounds, ages,<br />
<strong>in</strong>terests, and attitudes <strong>of</strong> <strong>the</strong> contributors that lent to a diversity <strong>of</strong><br />
perspectives and a wide variation <strong>in</strong> possible teach<strong>in</strong>g methods. The<br />
contributors served to lead <strong>the</strong> students <strong>in</strong> new directions, expos<strong>in</strong>g<br />
<strong>the</strong>m to new ideas which at times caused confusion, but ultimately<br />
stimulated creativity. Each contributor guided <strong>the</strong> students towards<br />
different ideas which provoked <strong>the</strong> students‟ determ<strong>in</strong>ation to champion<br />
<strong>the</strong>ir specific <strong>design</strong> ideas.<br />
Pr<strong>of</strong>essor Richard Goodw<strong>in</strong> has been practis<strong>in</strong>g <strong>for</strong> over 30 years as an<br />
<strong>in</strong>ternationally exhibit<strong>in</strong>g artist and architect, Goodw<strong>in</strong> has susta<strong>in</strong>ed a<br />
prolific pr<strong>of</strong>essional practice <strong>of</strong> art and architecture. His work, rang<strong>in</strong>g<br />
from freeway <strong>in</strong>frastructure to gallery <strong>in</strong>stallation, to “parasitic”<br />
architecture, public artworks, is held at major collections, <strong>in</strong>clud<strong>in</strong>g <strong>the</strong><br />
Art Gallery <strong>of</strong> NSW, <strong>the</strong> National Gallery <strong>of</strong> Victoria, <strong>the</strong> Nuremberg<br />
Museum and numerous Regional Gallery and private collections.<br />
John Punter is a Pr<strong>of</strong>essor <strong>of</strong> Urban Design at <strong>the</strong> School <strong>of</strong> City and<br />
Regional Plann<strong>in</strong>g at Cardiff University. Pr<strong>of</strong>essor John Punter‟s<br />
<strong>in</strong>terests range from contemporary urbanism, <strong>in</strong> particular aspects <strong>of</strong><br />
urban plann<strong>in</strong>g, urban <strong>for</strong>m, urban <strong>design</strong>, and architecture to all<br />
aspects <strong>of</strong> contemporary plann<strong>in</strong>g practice, especially <strong>the</strong> comparative<br />
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