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d. Open Learning Workbook Virtual Design Studio Est. October 2009 Contents 1. Introduction................................................................................3 Day 1: 2. The Politics of Design.................................................................4 3. The Virtual Tour........................................................................8 4. Initial Sparks.............................................................................11 5. Studio: Shared Visions.............................................................14 6. Collaborative Reflection..........................................................15 7. Reflect & Relax.........................................................................16 Day 2. 1. Zones of Development..............................................................17 2. Technologies of 3D Design.......................................................18 3. Observe & Explore...................................................................18 4. Inspiring Neighbours................................................................18 5. Battle of Concepts.....................................................................19 6. Studio: Mix ‘n’ Match..............................................................21 7. I Am, Therefore I Write...........................................................25 8. Reflective Collaboration..........................................................30 Day 3 1 Submissions.............................................................................31 2 Porosity: A Success Story......................................................31 3 Crunch Time...........................................................................32 4 Opinion Matters.....................................................................33 16
1. Introduction The sole purpose of this workbook is NOT to assess your capacity of knowledge, but is to encourage you to think for yourself. The lectures and studio time will provide you with the inspiration, guidance and support you require to fulfil all aspects of your brief, but the workbook will be your own account of your personal development throughout the course of the studio. Please note that due to the nature of the project, i.e. Amal’s Phd thesis, at the end of the studio your workbook will be collected by the tutors to analyse results and assess your contribution. At the end of the workbook you will find several simple questionnaires pertaining to your experience of the project. Please answer all questions in this workbook as they have be specifically designed to help you achieve the best possible results from this unique experience, but most importantly we want you to enjoy the experience! Day 1. 2. The Politics of Design During the introductory lecture with Amal Al-Ali, we discussed how the political ideology of a particular architect, namely Richard Goodwin, affects their design concepts. Amal Al-Ali presented her liberal feminist views concerning the role of women in the United Arab Emirates and how a particular philosophy is crucial in architectural design. Her belief that women should have more privacy, led her to visualise the Emirate with more and female only facilities. This is an example of how a person’s political views can be interpreted in design ideas. She also drew on Prof. Richard Goodwin, from the Porosity Studio, and how his strong socialist perspective shapes the way in which he approaches urban design; focusing on the social aspect of modern design rather than the functional capitalist approach. Activity: Go to Richard Goodwin’s website (http://www.richard-goodwin.com/) see how his philosophy concerning the linkage between art and architecture dictates his urban design concepts. Think about ways in which your political perspective could form the basis of your design strategy. Sketch your ideas below. Feedback (Cont. Overleaf) 17
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FRAMEWORK FOR THE IMPLEMENTATION OF
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As technology is changing rapidly;
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List of Tables Table 6.1: Three Pha
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Contents Chapter 1: Introduction ..
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5.13 Methods of Phase 2 ...........
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9.5.2 Recommendation 2: Change of M
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technology in architecture design e
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e learned. The UNЕЅСO report on
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architecture within universities. 2
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Figure 1.1: The innovative process
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consequently this resulted in the l
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society, and the diverse socio-cult
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with the lifestyle of its occupants
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the study, the purpose of the study
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understanding of the research conte
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Peninsula. It is bordered by the Pe
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2.2.2 UAE POST-1971 This British an
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UAE, the vernacular architecture re
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social groups is being substituted
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The grand expansion is also obvious
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interact website 94 the foreigners
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to rules, policies and regulations,
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The UAE encountered a rapid growth
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Moreover, neither were supplementar
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The Arab League Educational Cultura
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understand the lack of utilisation
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3.2 UAE Vision 2021 In his famous b
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Figure 3.1 shows the culture of wor
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students‟ loans for lab top purch
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А common education in the first th
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improving quality and effectiveness
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stressed the importance of the “f
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design problems and finding a way t
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“The most important role that met
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plan. The benefits of the use of te
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Abu Shakra 220 argues that the use
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According to Reffat 224 the effecti
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Chapter 4: Teaching and Learning Me
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The last few years have witnessed a
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University and the University of Sh
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4.3.4 Design Curriculum Design cour
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expected to finalise their design p
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Chapter 5: Methodology 5.1 Introduc
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make decisions on which new approac
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formulating a framework or a model.
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The research approach used for this
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It also works as a guide for the en
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problematic and has been a tool for
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5.11 Validity and Reliability Herr
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about human developments associated
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the UAEU for the purpose of collect
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5.14 Methods of Phase 3 Secondary d
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analysis of planning systems, havin
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director, the tutors and some of th
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Goodwin‟s use of multi-disciplina
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Through the use of “free time”
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students were encouraged to ask que
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concerned. The students also indica
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ideas and collaborate. Video record
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Peer Assessment: Students will be s
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also covered the data collection in
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to another cycle of observation, ac
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6.3 Phase One The needs analysis in
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Figure 6.2: VDS 1 basic elements Th
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Figure 6.3: Database Form for Ident
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in universities in China and the Fa
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conducted to get in-depth understan
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which supported the curriculum of t
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student engage with their learning
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skills to tackle similar problems t
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� Team-Working Another important
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Facebook was utilised in this proje
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supportive educational tool Second
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female are not supposed to be mixin
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Formative evaluations improve and d
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the diary of events, and the timeta
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Dimension Application Creativity- p
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Dimension Aim Implementation Techni
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that helped the students in working
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Creativity Critique Collaboration C
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available. Figure 7.3 illustrates s
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Collaboration Anonymous 7.4.4 Focus
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synchronous tools scored highly com
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extended use of Facebook accounts t
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Figure 7.9: Student Performance Fig
Page 171 and 172: 7.8 Conclusion This chapter discuss
Page 173 and 174: The figure above shows the main the
Page 175 and 176: Networking also helped the students
Page 177 and 178: the discipline of being part of the
Page 179 and 180: just an hour beforehand with the fo
Page 181 and 182: positively adapted the new culture
Page 183 and 184: 8.3.14 Creativity As shown in Figur
Page 185 and 186: Chapter 9: Recommendations 9.1 Intr
Page 187 and 188: The summary of the findings of the
Page 189 and 190: 9.3.3 Networking Facilities The ope
Page 191 and 192: Figure 9.2 VCCS Framework The resea
Page 193 and 194: Figure 9.4: Hofstede classification
Page 195 and 196: support by providing financial supp
Page 197 and 198: positive attitude toward technology
Page 199 and 200: To better accommodate the above rec
Page 201 and 202: them. The e-learning diary will als
Page 203 and 204: Conclusion Future Architects This w
Page 205 and 206: Appendices
Page 207 and 208: Appendix A a. The University of Sha
Page 209 and 210: Q4. We were hoping that this is goi
Page 211 and 212: Also, being strict with time, outre
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Page 215: Other suggestions? Student1: The wo
Page 218 and 219: To combat the prevalent cultural re
Page 220 and 221: The participants will then be instr
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Page 226 and 227: Due to the nature of the Virtual De
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Page 230 and 231: is your now your group. With the vi
Page 232 and 233: Conclusion: Again, there are no rig
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Page 236 and 237: Activity: Once you have decided you
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Page 242 and 243: Studio as they will not be relevant
Page 244 and 245: 2.2.1 Vision.......................
Page 246 and 247: 1.0 Factual Summary 1.1 Aim of Stud
Page 248 and 249: � To meet the needs of society an
Page 250 and 251: � Quality: The University adheres
Page 252 and 253: The Virtual Design environment prom
Page 254 and 255: � 3D Design Technology � Collab
Page 256 and 257: Within the 10 day between the first
Page 258 and 259: 8.3 Assessment 8.3.1 Rationale crea
Page 260 and 261: To combat the prevalent cultural re
Page 262 and 263: How to be Effective Research, Cardi
Page 264 and 265: Director of Studies. Dr. Richard Ra
Page 266 and 267: Appendix B f. Observations and Anal
Page 268 and 269: spectacular, grotesque and colourfu
Page 270 and 271: years. They were asked to consider
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‘leisure’ theme arose including
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work sufficient. With consistent su
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g. Interviews Guide for participant
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h. Creativity Check List 72
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j. Samples of Students Interview 78
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Appendix C l. Exploratory survey at
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The focus group methodology was con
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especially 3-D like videos or slide
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Appendix D m. Case Studies for Phas
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Appendix E n. Published Papers iii.
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